Old Court Life in France, vol. 1/2Elliot, Frances Minto Dickinson
History
Old Court Life in France, vol. 1/2
Elliot, Frances Minto Dickinson
France -- Court and courtiers
The Princess Marguerite is now grown into a woman, “a noble mind in a
most lovely person,” says the flattering Brantôme. Her mother encourages
Marguerite’s taste for intrigue, and throws her into the company of
women, such as Madame de Sauve, the court Ninon de l’Enclos of that day.
Catherine contemplates her beauty, not with the profound affection of a
mother, but as a useful bait to entrap those whom she desires to gain.
When she was young herself the Queen never allowed any tender passion to
stand in her way, but ruthlessly sacrificed all who were either useless
or troublesome.
When the palace is quiet, and the sighing of the winter wind without, as
it sweeps along the quays and ruffles the surface of the river, is only
broken by the challenge of the sentinels on the bastion bordering the
Seine, Catherine rises from her chair. She passes over her black dress a
long white mantle, puts her feet into silken slippers, lights a scented
bougie, takes from her girdle a golden key--which is hid there along
with a poisoned dagger in case of need--draws aside the tapestry,
unlocks a hidden door, and mounts a secret stair. Cosmo Ruggiero is
seated on a folding stool in a small laboratory under the roof. He is
reading an ancient manuscript. A lamp illuminates the page, and he is,
or affects to be, so profoundly absorbed that he does not hear his
terrible mistress enter. She glides like a ghost beside him and laying
her hand on his shoulder rouses him. Ruggiero rises hastily and salutes
her. Catherine draws a stool beside him, seats herself, and signs him to
do so also.
“Well, Cosmo! always studying; always at work in my service,” says she,
in a low metallic voice.
“Yes, madame, I have no other pleasure than in your Majesty’s service.”
“Yes, yes! you serve the Queen for love, and science out of interest--I
understand. Disinterestedness is the custom of our country, my friend.”
“Your Majesty mistakes; I serve her as a loyal servant and countryman
should.”
“La! la!” says Catherine, “we know each other, Cosmo,--no professions.
Is the poison ready I ordered of you, the subtle powder to sprinkle on
gloves or flowers? It is possible I may want it shortly.”
Ruggiero rises and hands a small sealed packet, enclosed in satin, to
the Queen, who places it in her bosom.
“Madame,” he says, “beware! this poison is most powerful.”
“So much the worse for those for whom it is destined,” replied
Catherine; and a cruel smile lights up her face for a moment. “It will
serve me the quicker. But to business, Cosmo. What say the stars? Have
you drawn the horoscopes?”
“Here, madame, are the horoscopes”; and he draws from his belt a bundle
of papers. “Here are the celestial signs within the House of Life of all
the royal persons concerned, traced by the magic pencil from the dates
you furnished me.”
Catherine glances at the papers. “Explain to me their import,” says she,
looking at him with grave attention.
Public-domain text, read in full here on John Shaqi.
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