Old Court Life in France, vol. 1/2Elliot, Frances Minto Dickinson
History
Old Court Life in France, vol. 1/2
Elliot, Frances Minto Dickinson
France -- Court and courtiers
Guise be Lieutenant-General of the kingdom. The States-General are to be
immediately assembled; and Henri de Guise, once the poetic lover, now
hardened into the cold, ambitious bigot--ready to usurp the throne of
France to ensure the triumph of the Catholic party, and exclude the King
of Navarre--canvasses France, to insure a majority for the Holy League
against those pertinacious enemies of orthodoxy, Condé and Navarre.
The King, meanwhile, overridden and humiliated, agrees to everything,
and listens complacently to D’Epernon, who tells him, “He will never be
king while Guise lives.” So, for the moment, there is peace.
Now the King has left Chartres, and is at Blois. The Balafré and his
brother the Cardinal are also there to attend the Parliament, which is
summoned, and to make known their grievances. So the sunny little town
of Blois, sloping sweetly downwards to the Loire, with its superb castle
marked by towers, turrets, broad flat roofs, painted windows, and ample
courts, is the theatre on which the great battle is to be fought between
the rival houses of Guise and Valois. All the chiefs on either side are
to be present at a council which is to precede the meeting of the
Assembly. Henry--at the instigation of D’Epernon--the better to play his
perfidious game has communicated at the same altar with the Balafré and
his brother the Cardinal, and given them the kiss of peace to seal their
reconciliation.
Catherine’s apartments are on the first floor of the château,--a
gallery-saloon, the diamonded windows set in painted arches overlooking
the town, the dark walls, decorated with a crowned C and a monogram in
gold; her oratory, with a large oval window where an altar stands; her
writing-closet, with many concealed drawers and _secrets_ in the
walls--a hidden stair leading to an observatory, and a sleeping-room
with a recess for her bed. So unaltered are these rooms that the
presence of Catherine still haunts them; she faces one at every step.
In her bed within that recess the great Queen lies dying. She is old and
broken, and her mind wanders at times through excess of pain. But she
cannot die in peace, for she knows that her son Henry--the last of her
race--meditates a hideous crime; a crime in which she would have gloried
once, but now, racked with bodily suffering and mental anguish, with
remorse for the past and terror for the future, she shudders at the very
thought.
She calls him to her. Henry, her beloved Anjou! As he enters her
chamber, she struggles upright on her bed. No one would have recognised
the majestic Queen in the hideous skeleton that now speaks.
“What are you about to do, my son?” she asks in a tremulous voice;
“answer me, Henry. I fear I know too well what is on your mind. God
grant you may succeed, but I fear evil will come of it. The Duke and his
brother are too powerful.”
“The very reason they should die, my mother. I shall never be King of
France while they live.”
Public-domain text, read in full here on John Shaqi.
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