Old Court Life in France, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in France, vol. 2/2
Elliot, Frances Minto Dickinson
France -- Court and courtiers
There was a goodly company; the King drove La Vallière and the Comtesse
de Guiche in his _calèche_; the Queen-mother came in her coach; other
ladies were in litters. The Queen, who was in an interesting state of
health, stayed at home. Fouquet stood ready, at the grand entrance
of his palace. He received the King kneeling, and presented to him
the golden keys of Vaux. Louis touched them with his fingers, raised
Fouquet from the ground, and in a few gracious words assured him of his
favour and protection; with what truth we shall see. The same ceremony
was repeated by Madame Fouquet to the Queen mother, with a like result.
On entering the vestibule, even the Gallic Jupiter was amazed at
the magnificence of all he saw. The suite of rooms were arranged in
allegorical order, each named after a god or goddess; the ceilings and
walls painted to represent their attributes and the events of their
lives. The sun and moon, the planets and fixed stars, also formed
an important feature in the decorations. The seasons added their
attributes, and together with the winds lent themselves gracefully to
the necessities of the general arrangements. His Majesty was invited
to repose in the billiard-room, dedicated to Hercules, who by a happy
invention prefigured himself. From the billiard-room he entered the
grand saloon, where the sun, in gorgeous colours of saffron, crimson,
and scarlet, covered the entire ceiling. Louis smiled a smile of
gratification; the sun was his acknowledged emblem. Was it possible, he
thought, that Fouquet might be forgiven? The Superintendent advanced.
He bowed to the ground, and asked leave to explain the legend.
"The sun—the centre of the universe, the creator of light, heat, and
life—is your Majesty. Deprived of your gracious presence, we sink into
darkness and death. That star beside the sun is myself, Sire, receiving
light from your Majesty's benignant rays."
Louis frowned, and bit his lip. It seemed to him that the star was
dangerously near the sun; it displeased him. He changed his mind, and
now decided that that too assertative star must be extinguished.
From the saloon, Louis passed into a retiring-room, dedicated to the
Muses and the Virtues, all with open mouths, grouped round a figure of
Fidelity, whose praises they sang.
"Who is represented by fidelity?" asked Louis, turning to the Duc de
Saint-Aignan, in attendance on him.
"I have just been told that Fidelity represents Fouquet himself, your
Majesty."
"What on earth can Fidelity have to do with a Superintendent of
Finance?" muttered Louis, shrugging his shoulders. "And that female
figure conducting Fidelity—who is that?"
"Prudence, I am told," replied Saint-Aignan. "Prudence; and the one on
the other side is Reason."
"Prudence, Reason, and Fidelity guiding Fouquet. _Ma foi_, it is not
bad," and an ironical smile passed over the monarch's face. "But we
have not done with the paintings yet. Who are the others?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account