Old Court Life in France, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in France, vol. 2/2
Elliot, Frances Minto Dickinson
France -- Court and courtiers
The Court is at Saint-Germain. Louis XIV. was born there, and until
Versailles and Marly were built, he made it his principal residence.
In one of the principal saloons, on the first floor, lying midway
between the turreted angles of the façade, looking over the plains
towards Paris, Louis XIII. had ended his miserable existence, his
private band playing a "De Profundis," of his own composition, during
his death throes. His morbid nature—reproduced in his descendant Louis
XV., who said he loved "the scent of newly made graves"—made him await
the approach of death with a sort of grim curiosity. As he lay on his
bed, opposite the windows, his dim eyes resting on the wide expanse
outstretched below, he called Laporte to him. He was so near his end
that he articulated with difficulty. "Remember, my good Laporte," he
gasped, "that place, below there, where the road turns under that
rise,"—and he raised his shrunken finger, and pointed to a particular
spot, on the road to Saint-Denis, along which his funeral procession
must pass to reach the tombs of his ancestors—"that place there. It has
been newly gravelled, Laporte. It is rough, and will shake me. Let the
driver go gently over the loose stones. Be sure to tell him I said so."
This was not like his son, Louis XIV., who came to detest Saint-Germain
because this very Cathedral of Saint-Denis, where he must be buried,
was visible on the horizon line. Such an object did not suit a monarch
who desired to be thought immortal.
The Court is at Saint-Germain. It is a cool, delicious evening, after
a day of unusual heat. The summer evenings are always charming at
Saint-Germain, by reason of the bowery freshness of the adjacent
forest, from which cool breezes come rippling through the air, and
fan the heated atmosphere. The sombre château is now a mass of deep
shadow, save where the setting sun lights up some detail of its
outline—an arched window, a rich cornice, a pillared portico, or a
pointed tower, which stand out against the western sky with fugitive
brightness. The parterre blazes with summer flowers, the perfume of
which creeps upwards in the rising dews of evening. The formal gravel
walks are bordered by statues and orange-trees; the splashing of many
fountains stirs the air. A flock of peacocks strut on the greensward,
their long tails catching the last rays of the sunset. The summer birds
make delicate music among the shrubberies; and the giant elms, in the
outer park, divided from the garden by an open iron railing, bow their
rounded heads to the breeze.
Public-domain text, read in full here on John Shaqi.
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