“You laugh!” cries Bernardo, turning fiercely round, his glittering eyes aglow. “You deem I boast? Be it so. Time will show. I speak not of Divine help, Santiago on his milk-white charger armed _cap-à-pie_ in radiant steel interposing, or other monkish tales. If deeds are the language of the brave, words lie with fools. Was it with words Pelayo revenged his sister’s death and raised the Gothic standard against the great Abdurraman? Excuse me, good sir,” he adds, breaking off suddenly, the inspired look passing from his countenance as he addresses the older man, whose sarcastic countenance is still sharpened to a sneer--“if I who am so young, speak my mind. I go to the king to remonstrate.” “You would do better to forbear,” hastily interrupts the old courtier. “The king is at his devotions, assisted by a learned monk lately arrived from Navarre.” “I care not, though the air breed monks as thick as flies; you stay me not, Sir Chamberlain.” CHAPTER XVII King Alonso Bernardo hastily passed the court with swift, straight strides, his form in shadow defined against the light. A heavy peal of thunder sounded overhead as he turned to the right, where a marble stair, with a sculptured balustrade, guarded by soldiers, led to the royal apartments on the first floor, under a flat roof. “‘Tis indeed a foul shame,” said Don Favila, looking after him, as he and his companions took shelter under the arcade from the now thickly falling rain, “that our king, who loves him well, does not grant him the honours of his birth and name him his successor. He guesses not who he is. You noted his words?” turning to Ricardo, who nodded. “What! a bastard!” exclaimed the aged chamberlain; “a braggart and a bastard, instead of the victorious Charlemagne? Good gentlemen, you are distraught. Would you have a sovereign, the pureness of whose life will pass as an example in all time, forget so far his principles as to countenance his sister’s shame? The king, my master, has done right to protect his kingdom from such reproach.” Meanwhile Bernardo passes the alguazils who knew him well, his mailed feet resounding on the marble floor as step by step he reaches a door before which a heavy panel of tapestry is displayed, bearing a royal crown, and beneath, the arms of Leon and Oviedo, bound by an inscription in old Gothic letters. The first chamber, lined with wooden wainscot and a groined oaken roof, is bare of other furniture, save some rudely carved benches, on which meanly attired attendants sit or lounge.