Old Court Life in Spain, vol. 1/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 1/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
Alabor, whose fury knows no bounds, for he has calculated on arriving
before the news has reached Frandina, orders the castle to be assaulted
on every side. The walls are carried. Frandina, shut up in the citadel
with a forlorn hope, has no thought but for the safety of her son. How
conceal him? A mother’s wit is keen. Among the living he is not safe,
but surely they will not seek him with the dead. Passing down long
flights of narrow steps she carries him below into a dark, damp chapel.
Scarcely a ray of light penetrates the gloom.
“Are you afraid of the darkness, my boy?” she asks, kissing his warm
cheek.
“No, mother. I shall fancy that it is night, and try to sleep.”
On one side of a narrow marble aisle, held up by clustered pillars, is
the freshly built tomb of Florinda, whose body has been carried here
from Cordoba.
“Do you fear your dead sister, my boy?” again Frandina asks.
“No, mother; the dead can do no harm. Why should I fear Florinda?”
Unbarring the entrance which leads into the vault, Frandina stands on
the threshold, her arms around her son.
“Listen,” she says, and her kisses rain upon his cheek as she strains
him to her bosom in an agony of fear. “The Moors from Spain have sailed
over to murder you. Stay here with your dead sister, dear child; her
spirit will guard you. Lie quiet for your life!”
The boy kissed his mother, and fearlessly descended the steps, to where
the marble coffin holding Florinda’s body lay on a still uncovered
stand. The faded wreaths cast on it gave out a stale perfume.
All that day and the next and the following night the brave boy lay
still.
Meanwhile, the troops of the Emir penetrated into the citadel, and
Alabor himself forced his way into the chamber of the countess.
“My lord,” she said, rising from the ponderous chair in which she was
seated, a sarcastic courtesy in her tone and in the low obeisance with
which she greeted him, “you are pleased to profit somewhat ungallantly
by the absence of my lord. Do you deem this a fitting way to enter the
stronghold of him to whom you owe the conquest of Spain?”
The Emir, surprised by the dignified calm of her demeanour, would have
withdrawn, but the Fakir who had followed him, pulled the sleeve of his
garment, and whispered in his ear: “Ask for her son.”
Low as the words were spoken, she heard them and turned pale. “My son,
great Alabor, is with the dead. Let him rest in peace.”
“Wife of Don Julian,” cried the Emir, “you trifle with me. Where is he?
Tell me, or torture shall make you.”
“Emir,” she spoke again, and her calm face showed no trace of fear, “if
I have not spoken the truth, may everlasting fire be my portion. He is
with the dead.”
Alabor was confounded by the composure of her answer. So great was her
courage and the dignity with which she faced him, that he was just about
to retire, when the Fakir again broke in:
Public-domain text, read in full here on John Shaqi.
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