Kerim is not a warrior to please a lady’s eye. The voluminous folds of a white turban rest on a forehead bare of hair, a rough and matted beard curls on his chin and reaches to his ears, in which hang two uncut emeralds. He is low in stature and corpulent in person. His long dark arms are bare, ornamented with glittering bangles, his body swathed with a gaudily striped cloth over a rich vest, and full trousers descend to his feet. Sudden and abrupt in his movements, he sits uneasily on a raised dais covered with skins, a drapery of Eastern silk over his head. A strong perfume of attar pervades the recess, lined with divans, at the extremity of an immense Gothic hall, open at the opposite end, and divided into separate apartments by Oriental screens and tapestry. The recent conquests in the North had given the Moors as yet no time to erect either dwellings, mosques, or baths, those necessities of Eastern life, and they were fain to accept the rough habitations and castles of the Goths as they found them. Terrible is the expression of his eyes, the white against the tawny sockets, as he turns them full on the slender form before him, wrapped in an embroidered mantle, held in the strong grasp of a Nubian slave. A naked scimitar lies on the ground and the shadow of a mute darkens the curtained entrance. Of the lady’s face nothing is seen. She holds her hands clasped over her eyes, as if to shut out the repellent visage of the Berber. Taking in his hand, from a salver placed on the ground, one of the jewelled goblets which lay on it, and filling it with sherbet, Kerim rises to his feet. “I drink,” he says, in a loud jarring voice, “to the success of the Goths and of Pelayo. Will you pledge me, Christian lady?” No answer comes from the veiled figure, but the trembling of the drapery shows that she is convulsed with fear. “Unhand the Infanta,” says Kerim to the Nubian, “and retire.” Between them lay the scimitar, catching the light. “Onesinda,” and Kerim seizes her passive hand, “listen! Kerim is not the senseless tyrant you deem him. But before I unfold my projects to your ear, I warn you to take heed. You are my prisoner, held by the right of war. A motion of my hand and that fair skin is dyed as crimson as the petals of the fiery pomegranate expanding in the heat of noon. As yet you have refused all speech with me. Urge me not too far, I warn you.” “Alas!” answers Onesinda, speaking with quick breath, as she tears asunder the drapery which falls upon her face, and displays an ashy countenance belying her bold words, “I do not fear death, but infamy. Now, God be gracious to me, for the succour of man is vain.” As she spoke she drew herself back to the farthest limit of the curtained space in an attitude, not of resistance, for that was useless, but as one unwilling to provoke assault, yet if offered, resolved to repel it to the utmost of her power.