Old Court Life in Spain, vol. 1/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 1/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
A mass of dismounted cavalry is stationed before the pavilion on which
all eyes are turned, each Moslem erect by the side of his gaily draped
charger, until, at a shrill cry, surmounting even the din of the music,
each man vaults into the saddle and spurs forward towards a cloud of
dust announcing the arrival of Kerim surrounded by his Ethiopian
bodyguard.
At full gallop they approach, bristling with spears and brandishing
their scimitars, disposing themselves in a semicircle which leaves Kerim
alone, so resplendent with steel, feathers, and gems that, as the sun
shines down upon him, he looks like a statue of light.
The grim forms and wild faces of the Africans, tossing their arms in
every direction with savage shouts, reining up their horses but a
hair’s-breadth from the edge of the crowd of spectators--who, uttering
piercing screams, rush backwards upon those behind, who in their turn
lift up their voices in screams of utmost terror--create such a scene of
noise and confusion that a white silk litter borne by slaves, round
whose arms and legs are bound rich bangles and bracelets, followed by a
crowd of veiled women in snowy garments, is scarcely noticed.
Yet a group of dark-robed Goths have marked it, and the sadness of their
faces and their looks of shame and sorrow show how abhorrent to them is
this Eastern pageant and its cause. For who has not guessed the occasion
of these rejoicings? Onesinda, for the sake of her people, has consented
to become the bride of Kerim.
Nor is she and her countrymen around her, to whom, through the light
lattice of the litter, she is plainly visible, without hope that Pelayo,
if yet alive, may have planned a rescue. But in the face of such an
array of forces, called out purposely by Kerim, it would be a mad and
senseless sacrifice of life.
The agony of mind of Onesinda is not to be described. Did he indeed
appear, what would Pelayo think of her? Would he understand the amount
of the sacrifice? To become a vile and nameless thing? To submit to this
crowning outrage of the Moor, with no power to whisper into his ear the
sacredness of her motive?
Alas! poor Onesinda, she is of too gentle a nature to battle with such a
fate! So colourless has she become, her face is scarcely visible among
the silken cushions of the litter as she breathlessly scans the
assembled crowd.
A wild hope seizes her. May not Alonso or Friula, if Pelayo is away, be
present? Some valiant ally or devoted follower still faithful to her?
Some pitying Goth with a soul for her distress? At least one by his look
to remind her that he is there?
Nothing! She sees the threatening faces of the Moors, she hears their
muttered curses, she beholds their contemptuous gestures as they point
at her. Do they believe she is a willing victim?
Public-domain text, read in full here on John Shaqi.
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