Old Court Life in Spain, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 2/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
Unhappy king! There he lies, a corpse! He never moved, and is borne off
from the field on a trestle hastily formed of gilded lances laid across,
covered with the flag of Castile, a melancholy spectacle, his soldiers
following with many a moistened eye, to be buried in the cathedral,
beneath gorgeous gold panels in the _coro_.
* * * * *
The race of Trastamare, destined soon to end, brings short and troubled
reigns, in which the superstitious may read an ever-present curse in the
fratricide of Don Pedro.
The last words of Don Enrique el Caballero were a warning to his son
Juan not to follow his footsteps, “but to cherish the followers of Don
Pedro, who were faithful in adversity"--a curious glimpse into the
idiosyncrasy of his mind at the moment when the crown for which he had
sacrificed his honour as a knight and his fealty as a brother is fading
from him as he approaches the misty confines of another world. “Verily
his sin will find him out,” says the Bible, and so it was with Henry of
Trastamare. Juan I., his son, dies a miserable death at thirty-four
(A.D. 1390) on a mimic battle-field.
He had none of the bloodthirsty instincts of his family. He fought with
English and Portuguese because it was the duty of kings of that day to
fight, but with no ferocity of temperament or greed of conquest. He had
inherited the softer qualities of the winning Caballero whom all men
loved, before the unnatural cruelty of his brother, and the sting of
repeated reverses drove him to the commission of a crime which will ever
cling to his name.
Juan is succeeded by his young son Enrique, known as _El Enfermo_, under
a Council of Regency, presided over by the Archbishop of Toledo and the
Marqués de Villena.
No wonder the child of eleven is sick and tired of life under the
oppressive surroundings in which he lives.
The Marqués de Villena, a grandee with the privilege of wearing his hat
in the royal presence, and irritable and sarcastic when he dares, turns
the royal boy’s blood cold when he rivets upon him his keen black eyes.
Under the guise of devotion to his person he exercises over him every
species of petty tyranny, and when, driven beyond his patience, the
gentle Don Enrique pouts his lip and knits his young brow, he calls in
the archbishop to help him, who, in his turn, exhorts the unhappy young
king to conform in all things to the will of “the Regents” placed over
him under God. Else--here the stately prelate pauses with a significant
glance upwards, not to the sky, for these scenes generally take place
within the palace, but all the same invoking the Divine wrath upon the
disobedient child, who, well understanding what the archbishop means, is
seized with such an access of unknown and mysterious terror as leaves
him a helpless victim in their hands.
Public-domain text, read in full here on John Shaqi.
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