Old Court Life in Spain, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 2/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
Passing through a lofty guard-room with raftered ceiling--the walls hung
with tapestry--where casques and shields of antique pattern shone out,
side by side with crescent banners and scimitars captured from the
Moors, the guests arrive and are ushered into a Gothic hall of
sculptured oak heavily carved, a richly wrought balustraded gallery
breaking the lines high up under the cornice. All the great names of
Burgos are present. The Villacruces, De Vaca, Peralta, Gomez, Laynes,
descendants of the Cid Campeador, Lerma, De Bilbas, and Mendoza, making
their way to tables ranged transversely across the dais at the upper
end, bright with golden lamps, fed with delicately-scented oil, each
place set with cups and sturdy flagons enriched with jewels, trophies of
Arab filigree work, taken from the Moors, and gilded shields all
wreathed with fruit and flowers to represent a garden of delight.
In the centre of the board, on two chairs more elevated than the rest,
sit the Archbishop of Toledo, his pale face outlined against the panels
of dark oak; and opposite to him the courtly figure of the Marqués de
Villena, his handsome features greatly set off by the quaint
half-ecclesiastical costume he wears of the Master of Calatrava, with
belt and sword, the cross of Christ embroidered on his breast.
The days are past when the great nobles come to feasts in plumed casques
and chain armour, as knights ready to mount and ride as the trumpet note
sounds. Now more peaceful times have come, the land of castles has
expelled the Moors--shut up in the east of Spain among the mountains of
Granada where they are soon to be attacked--and the great chiefs can
display their taste in abundance of costly jewels and apparel of brocade
and velvet, samite and silk, crimson, purple, and yellow, close-fitting
to display the person, with mantles trimmed with miniver or ermine; the
long skirts worn to the ankle, embroidered with all the art the needle
could attain, with the crests, cognisances, and initials of the wearer,
pointed shoes and golden girdles thick with gems, holding glittering
daggers, the head covered with graceful caps or furred bonnets adorned
with circlets of jewels and plumes placed on flowing locks trimmed
according to the fashion of the time.
* * * * *
Public-domain text, read in full here on John Shaqi.
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