Old Court Life in Spain, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 2/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
“Oh, Juan, how can you pretend to mistake me!” she cries, clasping her
hands; “is it the first time I have told you that while the constable
lives I shall never have a happy hour?” Her countenance saddens with
real or pretended distress; a deep sigh heaves her bosom, upon which
rests a collar of jewels and strings of Orient pearls. With her kerchief
she wipes away imaginary tears. Don Juan, who is vaguely contemplating
her as a vision of beauty, is suddenly greatly distressed, and rises to
comfort her. She puts him back with a pettish motion, and with a
troubled air he resumes his seat.
“How do I know,” she continues, in a lower voice, “that the magic arts
Luna exercises over _you_ may not be employed against _me_?”
“Magic arts!” faintly ejaculates the king.
“Yes, my lord, all Spain knows it, and is weary of the wickedness of
this presumptuous man. It is by infernal arts that he sways you. He will
bring the kingdom to destruction. Did he not, like a traitor, turn back
from the walls of Granada when the Zegrins were with you, and he should
have led your victorious army into the walls of the Alhambra? Does he
not conspire with the Infante of Aragon against your life?”
So vivid is the picture she calls up of the misdeeds of Luna, that real
tears now course each other down her cheeks. She believes in what she
says, and this gives conviction to her words. She believes him to be
guilty of all of which he is accused, and she knows that he will cross
her influence with Don Juan. Above all, she dreads the mysterious action
of that occult power he is said to possess. Superstition and ignorance
go together in her mind. A Portuguese princess of the fourteenth century
is alive to all the prejudices of the time.
“What!” cries Don Juan, starting up from his chair in a burst of
generous feeling, which he is quite incapable of sustaining, “can you,
my queen, ask me seriously to dismiss from my councils and from my heart
the hero who has so faithfully upheld the glory of Castile? The tales
you accept as true are but the suggestions of envy. The constable has
ever done his duty. What do I not owe him! Was it not he who rescued me
as a boy from the strong fortress of Tordesillas, where a powerful
league, headed by my treacherous cousin, the Infante of Aragon, would
have shut me up for life? Who was it that, when the Moors, emboldened by
the weakness of Castile, refused to pay the tribute, led on our armies
against them and forced them to submission? And if he did not enter the
city of Granada the fault was not in him, but in my seditious nobles,
whose divided counsels forced him to retreat. Is this the man, the
bulwark of my throne, who alone has stood by his king against the
factious nobles, the conspiracies of his kindred, and the machinations
of his own son? Would you have me deprive _him_ of the honours he so
well deserves? High Constable I have created him, and such, by the Holy
Mother, he shall die.”
Public-domain text, read in full here on John Shaqi.
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