Old Court Life in Spain, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 2/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
Although they agree in nothing else, Enrique el Quarto, like his father,
loved this quaint Gothic town.
Undutiful and disorderly as a son, he made a bad king. Indolent,
licentious, and ignorant, he despised learning and cultivation of all
kinds, and was by far the worst of the illegitimate Trastamares, on
whom, as has been said, a curse for the murder of Don Pedro really
seemed to rest.
Nothing they undertook answered, and it might be said of them, “their
names were written in water.” Yet, not to be too hard on Enrique, it
must be allowed he so far redeemed himself from the nullity of his
father as to lead his armies bravely in the usual campaigns against
Navarre and Aragon, besides undertaking a ten years’ crusade against
the Moors, authorised by Pope Calixtus III.; in all which, so long as he
was assisted by the friends and advisers of his amiable father, his
incapacity was concealed, but his later campaigns were unfortunate
because fought alone. Nor could his love of pomp and splendid attendance
blind his subjects to the fact that his court was a very sink of
debauchery.
It seems strange, too, that Don Enrique, who, as Prince of the Asturias,
had for years stormed against favouritism, now fell into the same fault
himself. Not with such a master of men as the Condestable de Luna, but
with an obscure and needy adventurer, called Don Beltrano de las Cuevas,
with no merit whatever but his skill in deceiving him.
* * * * *
The court is at Segovia. At this moment Don Beltrano is crossing the
Sala de Ricebimento in the Alcazar, a Gothic Moresque apartment, with
lofty raftered ceiling and cornices of dark oak, the sides splendidly
gilt, setting off rows of royal shields and _bandieros_.
He is a striking-looking man of robust proportions, with a florid face
of that full sensual type so little seen among the thin-featured
Spaniards.
His love of display is apparent by the rich surcoat of satin and brocade
he wears, cut in the latest mode and glittering with jewels, a plumed
hat placed defiantly on one side of his head.
But you must not call him by his vulgar name of Beltrano, drunkard,
dicer, and reveller, but Sua Grandeza el Conde de Ledesma, by favour of
the King, or, more correctly speaking, of the Queen. You must also pay a
certain attention to him, upstart and braggart as he is, because it was
through his agency that the dynasty of Castile came to be merged in that
of Aragon, in the person of Isabel the great Queen, wife of Ferdinand of
Aragon, and by her marriage constituting the union of the future kingdom
of Spain.
As he passes with a step full of importance across the motes of sunshine
striking on the marble pavement from the historic window out of which
the late king, Don Juan, was let fall, as a child, by a lady of the
court, who lost her head for her carelessness, the vulgar showiness of
his dress is in conspicuous contrast to the soberly habited grandees of
the old school.
Public-domain text, read in full here on John Shaqi.
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