Old Court Life in Spain, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 2/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
“Such vice is disgusting; the palace is nothing but a brothel!” exclaims
the fiery Pimentel, Lord of Benevente, ever impatient and outspoken, one
of the most powerful lords in the kingdom, with broad lands in the north
and an ancient castle within the confines of Leon. “Where is our
national honour? The king has forfeited our allegiance. For the sake of
a miserable bastard he keeps his sister, Doña Isabel, shut up in the
fortress here.”
Now the Spaniard is of a silent nature, reserved and proud. His passions
are violent and deep; but once aroused he stops at nothing and is
capable of extraordinary cruelty and revenge. For one in the exalted
position of Pimentel to speak thus of his sovereign, the scandal of his
life must be outrageous.
“These are but words, my lord,” is the stern answer of Juan Pacheco,
Marqués de Villena, the crafty intriguer all through this reign as his
namesake was in that of Enrique el Enfermo, and not a whit behind
Pimentel in ancient descent, dating from the Moors. He was the man who
fought the duel where, _asi cuenta la historia_, he defied three
antagonists, as is still to be seen in marble on his tomb in the Parral
at Segovia. His commanding presence and haughty bearing imposed even on
the impetuous Pimentel. Old in intrigue and conspiracy, he passed by
mere threats as empty sound profiting nothing. “You know your remedy,”
he continues; “all the disaffected are convened to meet at the palace of
my uncle, the Archbishop of Toledo, come to Segovia for that purpose.
Your graces will not fail?”
“We will not fail,” is the answer.
* * * * *
The place appointed for the secret council-chamber was within the
precincts of the Cathedral, in the cloisters, where life-like statues of
prophets and kings quaintly sculptured stand beside the Gothic arches;
Abraham and St. Jaime, and San Fernando holding a ring, and his consort,
Doña Beatrix.
The night was dark, and the muffled figures enveloped in ample mantles
passed unnoticed through the door with the beautiful triptych carved
over it.
In a dark room, lined with a mosaic of wood, with gold pendants on the
roof, and lit up with massive silver candelabra, stands the Archbishop
of Toledo, dismissed from his office of Minister to make way for
Ledesma. This enemy of El Impotente is a man in the prime of life, as
turbulent, fierce, and haughty as any feudal baron, his dark eyes sunk
deeply in his head, bright with the power of intellect, and unerring and
piercing; his ecclesiastical robe hanging loosely about his figure--very
different from the dignified churchman who headed the banquet at which
the young King Enrique sang as a wandering minstrel.
Public-domain text, read in full here on John Shaqi.
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