Old Court Life in Spain, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 2/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
The strange phases of her life, which had formed her character to a tone
of masculine decision, had not yet developed the softer qualities she
possessed. Born in the midst of conspiracy, she had been the toy of each
party in turn; now with her mother leading almost a cloistered life,
then dragged into the fierce magnificence of an abandoned court.
Forcibly affianced to any prince who suited the king’s politics, even
refusing food and sleep to escape from these toils. Passionately urged
by the archbishop to assume the crown on the death of her brother
Alfonso, and firmly resisting a proposal she looked on as treason, she
had already passed through the vicissitudes of a long and chequered
career ere her own life had begun. Yet her innate purity had not
suffered from contact with the vileness of others. The secrets of life
were open to her. She knew all that should be hid from the mind of an
innocent woman, but this only served to form her character to the most
rigid virtue and to make of her the great sovereign she became. Isabel’s
noble qualities had been developed under two stormy reigns--the feeble,
humiliating government of her father Juan II., and the vicious violence
and treachery of her brother Enrique. Since the death of her father she
had never known what it was to be free. Secluded after the dethronement
she had been summoned to Burgos as a pledge of the good faith of the
king; but what she had seen there had so deeply disgusted her, that she
entreated the Archbishop of Toledo, who had charge of her, to make her a
home apart with her little court at Valladolid.
And now the moment has come which will decide her life.
* * * * *
All human lights are extinguished. The moon rides high in the heaven in
fields of azure light over the sleeping town of Valladolid. The stars
have come out one by one, doubling themselves on the shallow waters of
the Pisuerga that flows by the walls through woods of light-branched
aspen and elm. Not a breath stirs outside the old palace, so quaint in
its homely outlines, except when the _sereno_ passes and rouses the ire
of some whelping cur to bay at the full moon. Looking at that quiet
front, who could guess that a drama is to be enacted within between two
young princes, the issue of which will permanently alter the politics,
religion, and government, not only of the Old World but of the New,
shortly to be discovered by Columbus?
* * * * *
As midnight strikes at San Pablo, the tapestry is withdrawn, and, under
the sudden glare of torches and candles, the Archbishop of Toledo
appears, leading in the upright figure of the Infante of Aragon
concealed in a cloak. With him enters Don Gutierra de Cardeñas, and, too
impatient to wait for the more formal presentation of the archbishop, he
presses on Ferdinand in front of the Infanta.
“Look at him!” he cries, “_Ese es_” (this is he), in memory of which the
Cardeñas’ shield still bears the letters S.S.
Public-domain text, read in full here on John Shaqi.
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