Skins of animals killed in the chase cover the floor and are also attached to the lower portion of the pillars which support the light roof, adorned with flags and banners, the standard of St. George conspicuous in the front. Beneath, on a table, lies a glancing axe, ready, if needful, for all emergencies. Outside, the building is covered with silken curtains under ranges of feathers, tassels, and streamers flaunting in the light breeze, and at the tented entrance are placed two large shields, one bearing the cognisance of the Black Prince, the other the arms of England quartered with the _fleur-de-lis_ of France. Around gathers a brilliant court. Seneschals bedecked with chains of gold, chamberlains in rich robes, worked with the escutcheons of England and of Aquitaine, pages, warriors, the captains of companies who have followed Edward in all his wars, hoary soldiers grown grey in many battles, nobles arrayed in historic armour come down from generations of warlike ancestors, bearing great names, Gallic and English, illustrious in themselves and enhancing the greatness of their master. The two younger brothers of the Prince of Wales, John of Gaunt, as brilliant as a popinjay, to be ever known in history as “Time-honoured Lancaster,” his younger brother, Edmund, Duke of York and Cambridge, a gallant young prince--both wearing the blue badge of the new Order of the Garter at their knee, and emulous of attracting the notice of Don Pedro’s young daughters, of whose beauty report says much. The two Marshals of Aquitaine, Sir Guiscard of Angoulême and Sir Stephen Coffington; Beauchamp, Lord of Abergavenny, Lord Ralph Neville of Warwick, Clayton, Sir John Tyrrell, Sir Hugh Hastings, the trusted ally of England Jean de Montfort, and, though last, not least, the manly figure of Chandos, of whom in these wars one hears so much--politician, tactician, and constable of all the provinces of France. Others may assume various modes and fantastic changes in dress and accoutrement, but Chandos never changes and always appears in armour of proof, arrayed to take the field. In the centre, backed by the fanciful outline of the gay pavilion, stands the Black Prince, ready at the first imitation of Don Pedro’s arrival to advance and welcome him to his domains. To suit the occasion, he is attired in a costume equally recalling the court and the camp. A loose surcoat of blue velvet, heavily embroidered with the arms of England, partly conceals the light suit of chain armour which clings to his form; at his waist is a girdle to which an axe and sword are attached, and on his head a cap edged by a jewelled coronet, from which rise the three heron’s feathers of his device.