Old Court Life in Spain, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 2/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
John of Gaunt bashfully advances to take his place among the young
princesses with his brother, both much encouraged by the glimpse of the
lovely eyes of Doña Costanza, glowing like stars under the folds of a
black mantilla which descends almost to her feet, while Don Pedro
gravely acknowledges the salutations of the warriors and the court, and
expresses his thanks for the magnificence of the courtesy with which he
has been received.
“Can the stricken heart of a sovereign know comfort,” he says, in his
high and trillant voice, singularly unpleasant after the agreeable
intonation of the Black Prince, “against whom his people and those of
his own blood have turned traitors, it is alone at the hands of your
Grace. This moment of meeting with you, most illustrious Prince, is the
only instant of consolation I have enjoyed since I left my rebellious
country, given up to the horrors of civil war. I come in the guise of a
beggar, but it is to one who can replace me on the throne.”
Whether Don Pedro, from long habits of hypocrisy, really believed what
he said is doubtful, but he had at least the art of convincing those
whom he addressed. This faculty of deceit, his specious flattery, his
royal air, even under the modest garb he wore, at once fascinated the
frank and open-hearted prince, overjoyed at the prospect of a speedy
campaign to reinstate him.
As they pass into the pavilion where a sumptuous collation has been
prepared, Edward himself, spite of the protest of his guest, not only
offers to the king the golden embossed salver of scented water to wash
his hands, but during the first course stands to serve him, behind his
chair, before taking his own seat at the board.
“I know my place as a subject,” are his words, “and I pray your Grace
not to impede me in the fulfilment of my duty.”
Not so Chandos, who observes Don Pedro at his ease, and marks with
suspicion the sinister expression of his young face, and the falseness
of the smile he calls up in answer to the hearty greetings of the
prince.
Adversity and dissipation had already scored with hard lines that yet
boy-like countenance. The faultless mould of feature is still there, as
we see it perpetuated in the bust at Seville, but a perfidious glance
mars its beauty.
Small and thin in stature, Don Pedro is entirely overtopped by the
English prince, who sits erect and strong as a young oak beside the
willow-like suppleness of his Spanish guest.
Much discussion of ways and means takes place between them after the
collation, the Black Prince lending a willing ear to the representations
of Don Pedro and his reiterated promises to reinstate the English king
in such subsidies as should be advanced to him in order to raise a
fighting army to take the field.
* * * * *
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account