Man-woman relationships -- Fiction; New England -- Fiction; Psychological fiction
They did set the scene, with an exhilaration that played back and forth
between them like a heady atmosphere. Charlotte was bidden to make the
bed in Old Crow's room and while Raven built the fire, Nan helped
Charlotte. And when the pung drove up from the station at the moment Nan
had foreseen, she and Raven were sitting before the dining-room fire,
apparently deep in talk. Whether Charlotte took her cue from them they
did not know, but she was too busy in the back of the house to appear at
once, and Mrs. Powell and Dick came in unheralded, turning first to the
dining-room. There sat the two, absorbed. The visitors began, on an
according note.
"John!" cried Amelia, and "Nan!" Dick cried, in an identical voice.
Raven and Nan had the same effect of unison. They laughed, it was so
exactly what they had known it would be, and Raven came forward, put his
hands on his sister's shoulders, and gave her a little shake.
"Now, Milly," he said, "what the dickens are you up here for?"
Nan, having alienists on her mind, and finding none, was plumping her
question at Dick:
"Where's Doctor Brooke?"
Dick evaded it by the self-evident statement that he hadn't come, and
ended in a morass of frowning confusion.
Mrs. Powell turned to her with a surprised interrogation, a doubtful
warmth. It tried subtly to convey an entire acceptance of her as an
individual, combined with disapproval of finding her in the spot she had
no excuse for seeking. And while they were exchanging civil commonplaces
veiling unspoken implications, Raven was looking at his sister and
thinking, in a whimsical terror, what a very large grain of sand she was
likely to prove in the machinery of his daily life, and how little she
had changed during his absence from America. Here she was, so
indomitable in every particular that you could almost believe she was
going to be as lasting as the processes that went to her equipment. She
had, you learned to know, tackled life as a servant to be governed, an
enemy to be downed. If it had antidotes, she would lose no moment in
equipping herself with them. If circumstance proved unfriendly, she
would ignore it and forge ahead. She was, Raven had always recognized,
the feminine replica of his father's special type. As to her looks, she
was a thin, whip-like woman, who gave an impression of wiry endurance
and serviceable resiliency. You would expect her to be hard to the
touch, mental or moral, and yet she could double, evade, rebound. Put
her in a hole, and she soon proved to you that its obscurity was the
last place where she proposed to stay. She looked the latest thing
evolved by the art of man. Her clothes were the prevailing fantastic
creation, and yet, on her, they were not illogical. They were the
plumage of an eccentric bird hatched to look that way. Her face, in its
sandy monotone of color, fitted the art of her wonderful and yet not too
noticeable hat, and her gloves and veil were the last word of style.
Public-domain text, read in full here on John Shaqi.
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