Man-woman relationships -- Fiction; New England -- Fiction; Psychological fiction
Immediately Raven saw the menacing significance of Tenney's keeping
still. His mind ran with a quick foot over the imprisonment of the two
there together. Was there a moment, he wondered, when the suffering
brute was not threatening to her, when her heart could rest itself for
the next hurried flight? He ventured his question.
"Has he been"--he hesitated for a word and found what sounded to him a
mawkish one--"good to you at all, these last weeks?"
Tira reflected a moment and then, for the first time since she came in
from the cold, the blood rushed to her haggard cheeks. She remembered a
moment, the day before the burning of the crutch, when he had found her
doing her hair before the bedroom glass and had caught her to him
wildly. She had put him away from her, though gently, because his
violence, whether it took the form of starved passion or raging hate,
always seemed to her the unbecoming riot of a forward child, and he had
left her in a shamefaced anger, a grumbling attempt to recover his lost
dignity. Tira hid even from herself the miserable secrets of marital
savagery. No sacrifice was too great to hide from Tenney her knowledge
of his abasement. Most of all must she hide it from another man, and
that man Raven. Her answer was not ready, but she had it for him, and he
understood, in his unfailing knowledge of her, that it was the first
crooked one she had ever given him, and for the first time he felt anger
toward her. She was defending her enemy, and against him.
"He does the best he can," she said. "He takes things terrible hard. I
dunno's I ever see anybody that took 'em so hard."
Then, as he did not speak, she looked at him and meeting the cold
unresponsiveness in his face her composure broke and she stretched out
her hands to him in a wildness of entreaty.
"Oh, don't you look like that," she cried. "If you turn from me 'twill
be my death."
He was not cold now. He bent to her and took her hands in his.
"Tira," he said, "come away with me. You can't bear this any longer.
Take the child and come. You'd be safe. You'd be happy, if you weren't
afraid. Don't go back there for another minute. Stay here over night,
and to-morrow I'll take you away."
He was looking at her, his eyes holding hers as his hands held her
hands. And, whatever he had meant, the strangest, swiftest retribution
of his life came to him through the change in her face. How could flesh
and muscle bring about such an alteration in human line and texture, the
Mother of Sorrows transformed to a Medusa head? Her lips parted,
trembling over words they could not bring themselves to say. Her eyes
widened into darkness. Her brows drew together in a pitiful questioning.
And her voice, when she did speak, was a vibrating protest against what
her eyes knew and her mind.
"You don't mean," she said, "_that_?"
Public-domain text, read in full here on John Shaqi.
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