Man-woman relationships -- Fiction; New England -- Fiction; Psychological fiction
"They?" inquired Raven. "Who's they?"
"It's no use, Jack," Dick broke forth. "I might as well tell you. I
s'pose if I didn't you'd kick up some kind of a row later. I telephoned
Mum."
"You don't mean," said Raven, in a voice of what used to be called
"ominous calm," before we shook off the old catch-words and got
indirections of our own, "you don't mean you've sent for her!"
"It's no use," said Dick again, though with a changed implication, "you
might as well take things as they are. Nan can't come up here slumming
without an older woman. It isn't the thing. It simply isn't done."
Raven, through the window, saw Charlotte hovering in the library with
the tea tray. He watched her absently, as if his mind were entirely with
her. Yet really it was on the queerness of things as they are in the
uniform jacket of propriety and the same things when circumstance
thrusts the human creature out of his enveloping customs and sends him
into battle. He thought of Dick's philosophy of the printed word. He
thought of Nan's desperate life of daily emergency in France. Yet they
were all, he whimsically concluded, being squared to Aunt Anne's
rigidity of line. But why hers? Why not Old Crow's? Old Crow would have
had him rescue Tira, even through difficult ways. He opened the door.
"Come on in," he said. "Charlotte's buttered the toast."
Dick followed him, and they sat down to their abundant tea, Charlotte
pausing a moment to regard them with her all-enveloping lavishment of
kindliness. Were they satisfied? Could she bring something more?
"The trouble with you, Dick," said Raven, after his third slice of
toast, buttered, he approvingly noted, to the last degree of drippiness,
"is poverty of invention. You repeat your climax. Now, this sending for
Milly: it's precisely what you did before. That's a mistake the actors
make: repeated farewells."
Dick made no answer. He, too, ate toast prodigiously.
"Now," said Raven, when they had finished, "do I understand you mean to
put your mother wise about what I told you last night? Yes or no?"
"I shall do----" said Dick, and at his pause Raven interrupted him.
"No, you won't," said he. "You won't do what you think best. Take it
from me, you won't. What I told you wasn't my secret. It's poor Tira's.
If you give her away to your mother--good God! think of it, Milly, with
her expensive modern theories and her psychiatry--got it right, that
time!--muddling up things for a woman like her! Where was I? Well,
simply, if you play a dirty trick like that on me, I'll pack you off,
you and your mother both. I don't like to remind you but, after all, old
man, the place is mine."
The blood came into Dick's face. He felt misjudged in his affection and
abused.
"You can't see," he said. "I don't believe it's because you can't. You
won't. It isn't Nan alone. It's you. You're not fit. You're no more fit
than you were when Mum was here before. And you can pack me off, but, by
thunder! I won't go."
Public-domain text, read in full here on John Shaqi.
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