Man-woman relationships -- Fiction; New England -- Fiction; Psychological fiction
"Mr. Tenney," said Nan, "I don't care a scrap whether I'm saved or not,
if I can make this world swing a little easier on its hinges." That
seemed to her a figure not markedly vivid, and she continued. "It needs
a sight of oiling. Don't you see it does? O, Mr. Tenney, think of the
poor little boy that's got to live along"--the one phrase still seemed
to her the best--"not right, and grow to be a man, and you may die and
leave him, and his mother may die. What's he going to do then?"
"No," said Tenney quietly, with the slightest glance at Tira in her
tremor there by the door, "I ain't goin' to die, not this v'y'ge. If
anybody's goin' to, it ain't me."
"O Isr'el!" said Tira. Her voice rose scarcely above a whisper and she
bent toward him in a beseeching way as if she might, in another instant,
run to him. "You let him go. You an' me'll stay here together, long as
we live. There sha'n't nothin' come betwixt us, Isr'el." In this Nan
heard a hidden anguish of avowal. "But you let him go."
Tenney did not regard her. He spoke, pointedly to Nan:
"I'm obleeged to ye." He rose from his chair. He was dismissing her. His
action approached a dignity not to be ignored, and Nan also rose.
"I sha'n't give it up," she said. "I shall come again."
She tried to smile at him with composure, including Tira in the
friendliness of it, but Tira, oblivious of her, was staring at Tenney,
and Nan found herself outside, trouble in her mind. Tira had not gone to
the door with her. She had staid still staring, in that fixed
interrogation, at Tenney. He looked at her now, met her eyes, and gave a
little grimace. He had done well, the movement said. He had seen through
it all. He was pleased with himself. Now he spoke to her, so affably
that she frowned with perplexity at finding him kind.
"'Tain't so terrible hard," said Tenney, "to see through folks, once ye
set your mind on it. He started her out on that, he an' you together,
mebbe. ''F I git rid o' the young one,' you says, 'I shall have more
freedom to range round, outdoor.' Mebbe you said it to him. Mebbe he
said it to you. Mebbe 'twas t'other one--Martin--that said it an' you
took it up. No, 'tain't so hard to see through folks, once ye git a
start."
He turned and took, with a difficulty half assumed, the few steps to the
wood-box, selected a couple of sticks and, with a quiet deftness that
seemed to indicate a mind bent only on the act itself, put them in the
stove. Tira watched him, fascinated by him, the strength in abeyance,
the wayward will. When he set on the stove cover, it seemed to break the
spell of her rigidity and she turned, hurried into the scullery and came
back. She had, he saw, a knife. That was not alarming. It was a small
kitchen knife, but he recognized it as the one she made a great fuss
about, asking him to sharpen it often and keeping it for special use.
But she gripped it strangely. Besides, there was the strangeness of her
face.
"Here! here!" he said. "What you doin' o' that knife?"
Public-domain text, read in full here on John Shaqi.
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