Man-woman relationships -- Fiction; New England -- Fiction; Psychological fiction
Spring came on fast and Nan, partly to assure Milly she wasn't to be
under foot forever, talked of opening her house and beginning to live
there, for the first time without Aunt Anne. But she predicted it, even
to Milly, with no great interest, and Raven, though he had urged her to
run away from the cloudy weather Milly and Dick made for her, protested
against her living alone. Dick was now strong enough to walk from his
room to the porch, and Raven, watching him, saw in him a greater change
than the languor of low vitality. He had the bright-eyed pallor of the
man knocked down into the abyss and now crawling up a few paces (only a
few, tremulous, hesitating) to get his foothold on the ground again. He
was largely silent, not, it sometimes seemed, from weakness, but the
torpor of a tired mind. He was responsive to their care for him, ready
with the fitting word and look and yet, underneath the good manners of
it all, patently acquiescent.
Then Nan found herself rested, suddenly, in the way of youth. One
morning she got up quite herself again, and wrote her housekeeper to
assemble servants and bring them up, and told Raven he couldn't block
her any longer. She had done it for herself, and she quoted the
over-worked commonplace of the psychological moment. He, also believing
in the moment, refrained from argument and went over to open doors and
windows. He was curiously glad of a word with her house, not so much to
keep up old acquaintance as to ask its unresponsiveness whether it was
going to mean Nan alone for him hence-forth or whether, at a time like
this when he stood interrogating it, Anne Hamilton also stood there, in
her turn interrogating him. Was she there to-day? Everything spoke
mutely of her, the wall-paper she had prized for its ancient quaintness,
the furniture in the lines of grace she loved. At that desk she had sat,
slender figure of the gentlewoman of a time older than her own. Was her
presence so etched in impalpable tracery on the air that he ought to
feel it? Was she aching with defeated hopes because she might almost be
expecting him, not only to remember but even to hear and see? No death
could be more complete than the death of her presence here. He could
not, even by the most remorseful determination, conjure up the living
thought of her. Somehow it had seemed that here at least he might
explain himself to her, feel that he had made himself clear. He did
actually speak to her:
"I can't do it, Anne. Don't you see I can't?"
Public-domain text, read in full here on John Shaqi.
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