Man-woman relationships -- Fiction; New England -- Fiction; Psychological fiction
He made a stride and Tira darted back. But it was not she he ran toward.
It was the child. He bent to the baby, caught him up and tossed him
knowingly and the baby, again incredibly, laughed. Tira, taken aback at
the sight of Martin, like a sudden cloud on her day, was arrested, in
her first rush toward him, by the pretty laugh. Her baby in Martin's
hands: that was calamity unspeakable. But the child had laughed. She
would hardly have known what price she would refuse even to the most
desperate of evil spirits that could conjure up that laugh. She stood
there breathless waiting on the moment, afraid of the event yet not
daring to interrupt it, and Martin tossed the baby and the baby laughed
again, as if it were "right." For Martin himself, except as the
instrument of the miracle, she had hardly a thought. It might have been
a hand out of heaven that had caught up the child, a hand from hell. But
the child laughed. Martin, for the interval, was neither malevolent nor
calculating. This was not one of his impish pleasantries. It might have
been in the beginning, but he was enormously flattered at having touched
the spring of that gurgling delight. For this was, he knew, a solemn
baby. He had glanced at it, when he came Tira's way, but only carelessly
and with no idea it was not like all babies. He supposed they began to
take notice sometime, when they got good and ready. Queer little devils!
But he was as vain and eager in his enjoyment of the response to his own
charm as he was prodigal in using it. The spring day had got into his
blood, too, and when he saw Tira dancing, the baby a part of the bright
picture, he had taken the little devil up, with no purpose but somehow
because it seemed natural, and when the child laughed he knew he had
made a hit and kept on, singing now, not a cradle song but a man's song,
something he had not himself thought of since he heard his old
grandmother drone it between smokes, while she sat by the fire and
dreamed of times past. It was something about Malbrook--"gone to the
army"--"hope he never'll come back." And there was Tira now, within the
circle of his fascination, bending a little toward him, her eyes darker
than he had seen them for many a day, her white arms wide, as if she
invited him. He wondered how a woman with her black hair could have a
skin so white; but he never guessed the lovely arms were stretched
toward the child and not to him, and that they would have snatched the
baby but for that amazing laugh. He stopped, breathless more from his
thoughts than his gay exertion, and gave a shout.
"Here!" he cried, to Tira, in a joviality of finding her at one with him
and the day (this first prime day of spring, a day that ought to make a
person shake a leg), "you take him. Fine little chap! Set him on the
ground ag'in an' you an' me'll have a tell."
Public-domain text, read in full here on John Shaqi.
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