Man-woman relationships -- Fiction; New England -- Fiction; Psychological fiction
"Isr'el," she said, "you think o' this. You think of it all day long.
'I'm goin' through it alone,' you says to yourself mebbe, after you've
got off there into the woods. 'But I ain't alone. He'll be with me, the
Lord Jesus Christ.' An' you remember there's that to think on. An'
there's forgiveness. Isr'el, you lay down your axe. You let me take holt
o' your hand."
He could only stare at her, and she took the axe from his hand and laid
it at their feet. She took his hand and put it to her cheek. Then she
took his other hand and laid that also on her cheek, and murmured a
little formlessly, but in a way he sharply remembered as a means of
stilling the baby. She lifted her head then, smiling a little, and still
holding the hands. But before releasing them she stroked them softly and
said, "There! there! Poor souls," she added, "poor souls!" Did she mean
the unhappy hands, or all souls of men caught in the network of
mysterious life? She picked up his axe and gave it to him as a mother
might dismiss a child who was going to a distasteful task. "There!" she
said again. "Now, you remember." She turned from him, and Tenney went,
head down, to his work.
That afternoon, about three o'clock, Nan was in her garden, busy with
the peony bed. She was dressed in cotton crepe the color of the soil,
and her cheeks were red, like wild roses, and her ungloved hands also
the color of mould. She was delightfully happy getting into the earth
and the earth into her, and she looked it. Charlotte, coming on her
across the grass, thought her face was like a bloom the rest of her had
somehow made, as the earth was going to make red peonies. That is, I
think Charlotte thought something of this sort, though she would not
have put it in that way. Only she did have a great sense of Nan's entire
harmony with the garden bed and the garden bed with her. Charlotte had
other things on her mind, and she spoke without preamble:
"D'you know what's happened over to Tenney's?"
Nan got up from her knees, and her face was no longer the April-May face
she had bent above the peonies.
"No," she said. "What is it?"
"I see doctor go by this mornin' in his car," said Charlotte, "carryin'
Tira. In a couple of hours they come back. An' then he went by ag'in,
goin' down home. I was on the lookout an' stopped him. I was kind of
uneasy. An' he says: 'Yes, Mis' Tenney's baby's dead. She overlaid it,'
he says. 'They feel terribly about it,' he says. 'Tenney run away from
the services.'"
Nan stood staring. She was thinking not only about the baby and the
Tenneys' feeling terribly--this Charlotte saw--but something farther
behind, thinking back, and thinking keenly.
Public-domain text, read in full here on John Shaqi.
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