Old Europe's Suicide; or, The Building of a Pyramid of Errors: An Account of Certain Events in Europe During the Period 1912–1919Thomson, Christopher Birdwood, Baron
History
Old Europe's Suicide; or, The Building of a Pyramid of Errors: An Account of Certain Events in Europe During the Period 1912–1919
Thomson, Christopher Birdwood, Baron
Balkan Peninsula -- History -- War of 1912-1913; Eastern question (Balkan); World War, 1914-1918
At the commencement of the service the music was subdued, treble and
alto voices recited canticles and chanted antiphons. Sometimes a clear
soprano rang out alone. I could not understand the words, but one of
the melodies recalled an air by Handel, a touching declaration of faith
triumphant, a woman’s voice proclaiming that her Redeemer lives. Later,
the character of the music changed. From a gallery at the Cathedral’s
western end, a choir of men thundered out pæans of rejoicing, which
rose in shattering crescendos, and surged up to the altar in waves of
sonorous sound.
The climax of the ceremony was reached when the Archbishop left the
altar steps and knelt before the King. The old Primate’s work was done.
This learned monk and priest of God was a Rumanian citizen. As such, he
surrendered to his temporal sovereign the symbol of all Christendom,
and his own most sacred charge. King Ferdinand received it reverently,
and a Catholic Hohenzollern Prince stood as the Head of Church and
State holding a jewelled cross.
An unexpected movement followed. Most of the foreign diplomats and
soldiers pressed round the Royal throne, and paid homage to both
spiritual and temporal power by kissing first the crucifix and then the
Monarch’s hand.
This gesture was neither premeditated nor prompted by a spirit of
Erastianism. It was the act of men under the influence of deep
emotion. Something had touched their hearts; something, perhaps, which
brought back memories of boyhood, when belief was ready, and young
imaginations glowed, and youth was vowed to noble needs; something
which stirred feelings numbed by contact with worldliness and cruelty
on life’s rough way; something still fragrant and redolent of
innocence, which they had lost long since and found awhile.
To the peasant soldiers, the music, the incense and the vestments
combined to make a beatific vision, a light to those who walked in
darkness, and whose simple faith was strong and real. They believed
implicitly in the second advent of a man who had been, and would be
again--Wonderful, a Counsellor, a Good Shepherd, and a Prince of Peace.
They had known sorrow and defeat, the enemy was in their land, famine
and pestilence were ravaging their homes, but they were soldiers of the
Cross and undismayed. More battles would be fought, battles without the
pomp and circumstance of those in theatres less remote. The last heroic
stand at Marasesti[39] would be made by humble men, who, this night
throughout Moldavia, were met together for a festival of their Church,
not to sing songs of lamentation, but to cry Hallelujah and Hosanna, to
tell the joyful tidings--“Christ is risen.”
CHAPTER XIV
“WESTERNERS” AND “EASTERNERS”
For many years before the “Great World War,” the German Army had been
the most formidable fighting machine in existence. It had filled
professional soldiers in all countries with envy and admiration, as the
supreme expression of a warlike and disciplined race.
Public-domain text, read in full here on John Shaqi.
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