Old Farm Fairies: A Summer Campaign In Brownieland Against King Cobweaver's PixiesMcCook, Henry C. (Henry Christopher)
Science
Old Farm Fairies: A Summer Campaign In Brownieland Against King Cobweaver's Pixies
McCook, Henry C. (Henry Christopher)
Insects -- Juvenile literature; Spiders -- Juvenile literature
The design of Banner One is, on a blue shield, a carrier pigeon in full
flight, with a message tied by a ribbon about its neck. In the
surrounding border are grouped and interwoven arrows and other emblems
of speed and promptness. The motto is:
QUICKLY DONE IS TWICE DONE.
[Illustration: FIG. 48.--A Spider's Cocoon Nest.]
The design of Banner Two is, on a blue shield, a silver pyramid, the
North Star shining above it. In the border are wrought figures of a
frontiersman with his rifle in hand standing among rocks and great
oaks; a pilot at his wheel; an Indian shooting rapids in his bark canoe;
a whaleman at the bow of his boat with harpoon poised. The legend is:
COOL HEAD GIVES HELPFUL HANDS.
The design of Banner Three is, on a red shield, a full orbed golden sun
with the old fashioned cheerful human face wrought upon it, and bright
rays shooting out in all directions. In the border are anchors, flowers,
song birds, sporting Brownies, winsome figures and emblems. The motto
is:
CHEERFULNESS IS BOTH BALM AND BROTH.
[Illustration: FIG. 49.--The Brownies' Banners and Golden Mottoes.]
Banner Four, although not the most beautiful in point of imagery, is the
most costly, the most carefully wrought and the most striking of all. On
a purple shield two points, one above the other, one in chief and one in
base are represented by golden stars, and these are united by a
straight line. The motto is:
OUR LIFE LINE A RIGHT LINE.
The border consists of various mathematical instruments, a rule, square,
dividers, sailor's compass, etc., and running all around the banner
through these are the sentences "Straightway From Knowledge to Duty,"
"Duty First, Duty Last."
It has taken some time to note these decorations, but only a moment was
consumed by the glance that Agatha and her aids cast upon them. That
glance and the voice of their fair leader acted like a charm. The words
had scarcely been uttered before the helpers were scattered through the
tents and at the couches of the suffering. Agatha herself kneeled beside
a wounded soldier, rearranged the bandages, and poured in fresh balm.
She had cast more than one impatient look toward the side door that led
into the Sanitary tent, wondering why Grace had not already come back
with Faith and Sophia.
The rear door of the hospital, near which Agatha was kneeling, was
pushed violently forward and Grace entered. She was capless, her hair
streamed over her shoulders, her whole appearance showed anguish and
agitation.
"They are gone!" she cried. Agatha rose hastily and threw herself into
her arms.
"Gone? who? Faith? Sophia? Gone!--where? Speak, girl, what do you mean?"
Public-domain text, read in full here on John Shaqi.
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