organism at once without making several _tentative_ efforts, undoing to-day what was so carefully done yesterday, and repeating for centuries the same _tentatives_ and the same _corrections_ in the same succession.' 'Anthropomorphists,' he says, 'talk of "The Great Architect," emphasising the name with capitals,' but 'what should we say to an architect who was unable, or, being able, was obstinately unwilling, to erect a palace except by first using his materials in the shape of a hut, then pulling it down and rebuilding them as a cottage, then adding storey to storey and room to room, not with any reference to the ultimate purposes of the palace, but wholly with reference to the way in which houses were constructed in ancient times? What should we say to the architect who could not form a museum out of bricks and mortar, but was forced to begin as if going to build a mansion, and, after proceeding some way in this direction, altered his plan into a palace, and that again into a museum? Would there be a chorus of applause from the Institute of Architects, and favourable notices in the newspapers of this profound wisdom?'[51] Notwithstanding the exulting tone in which these questions are put, and which seems to imply that in their proposer's opinion they are unanswerable, they may, I think, be very summarily disposed of. Whatever other comments might be made on the conduct of an architect who should build in the complex manner suggested, surely the very last thing said would be that he did not know how to build in simpler wise. His having actually built a palace would be decisive proof of his knowing how to build a palace; and of all queer reasons for questioning his possession of that much architectural knowledge, about the queerest would be the fact of his having built, not a palace only, but a hut and cottage in addition. And if, adopting a still more complicated style, he should begin by so constructing a hut that, if left to itself, it would draw up brick and mortar from the earth, and grow into a cottage, and then go on growing and adding storey to storey till it became a palace, this surely would be a proof not of less, but of infinitely more, architectural knowledge than if he had commenced and completed the palace with his own hands. Not unwarrantably, perhaps, may Mr. Lewes, reflecting that his own and every other human organism's genesis has consisted of at least three stages, oval, foetal, and infantine, wonder why he was not formed all at once, 'as Eve was mythically affirmed to be taken from Adam's rib, and Minerva from Jupiter's head,' and why he was not brought forth full dressed in an indefinitely expansible suit of clothes. Not quite inexcusably, perhaps, might he conceive the reason to be some mere whim or humour of his Maker, though there might be more gratitude in conjecturing that the triple process was adopted for the purpose of assisting biological enquirers like himself in their special researches.