Old Fires and Profitable Ghosts: A Book of StoriesQuiller-Couch, Arthur
General
Old Fires and Profitable Ghosts: A Book of Stories
Quiller-Couch, Arthur
Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
We were climbing the moor now, at a lopping gallop that set the packet
of dolls bob-bobbing on my back to a sort of tune. The horses behind
were nearly spent, and the sweat had worked their soaped hides into a
complete lather. But the mare generalled them all the while; and
striking on a cart-track beyond the second rise of the moor, slowed down
to a walk, wheeled round and scanned the troop. As they struggled up
she whinnied loudly. A whistle answered her far down the lane, and at
the sound of it she was off again like a bird.
The track led down into a hollow, some acres broad, like a saucer
scooped between two slopes of the moor; and in the middle of it--just
low enough to be hidden from the valley beneath--stood a whitewashed
farmhouse, with a courtlege in front and green-painted gate; and by this
gate three persons watched us as we came--a man and two women.
The man by his dress was plainly a farmer; and catching sight of me, he
called out something I could not understand, and turned towards the
woman beside him, whom I took to be his wife. But the other woman, who
stood some paces away, was a very different person--tall and slight,
like a lady; grey-haired, and yet not seeming old; with long white hands
and tiny high-heeled shoes, and dressed in black silk, with a lace shawl
crossed over her shoulders, and a silver whistle hanging from her neck.
She came forward, holding out a handful of sugar, and spoke to the mare,
if you'll believe me, in my very own Breton.
"Good Lilith!" said she. "Ah, what a mess for me to groom! See what a
coat! Good Lilith!" Then, as Lilith munched the sugar--"Who are you,
little boy? I never saw you before. Explain yourself, kindly, little
boy."
"My name is Yann," said I; "Yann Riel. I am from Roscoff, and--O how
tired, madame!"
"He is Breton! He speaks the Breton!" She clapped her hands, drew me
down from my seat, and kissed me on both cheeks.
"Yann, you shall sleep now--this instant. Tell me only how you came--a
word or two--that I may repeat to the farmer."
So I did my best, and told her about the run, and the dragoons on the
beach, and how I came on Lilith's back.
"Wonderful, wonderful! But how came she to allow you?"
"That I know not, madame. But when I spoke to her she was quiet at
once."
"In the Breton--you spoke in the Breton? Yes, yes, that explains--_I_
taught her. Dear Lilith!" She patted the mare's neck, and broke off to
clap her hands again and interpret the tale to the farmer and his wife;
and the farmer growled a bit, and then they all began to laugh.
"He says you are a 'rumgo,' and you had better be put to bed. But the
packet on your back--your night-shirt, I suppose? You have managed it
all so complete, Yann!" And she laughed merrily.
"It holds fifteen little wooden dolls," said I, "jointed at the knees
and elbows; and they cost two sols apiece."
Public-domain text, read in full here on John Shaqi.
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