Old Fires and Profitable Ghosts: A Book of StoriesQuiller-Couch, Arthur
General
Old Fires and Profitable Ghosts: A Book of Stories
Quiller-Couch, Arthur
Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
It was on my tongue to tell her that fire and soldiery had wiped it
even with the ground, during the "Terror." But she interrupted me.
Setting down her work-basket, which was heaped high with reels and
parti-coloured rags of silk, she pushed a small table over to the big
bed and loaded it with candlesticks. There were three candles already
alight in the room, but she lit others and set them in line--brass
candlesticks, plated candlesticks, candlesticks of chinaware--fourteen
candlesticks in all, and fresh candles in each. Laying a finger on her
lip, she stepped to the big bed and unfastened the corking-pins which
held the green curtains together. As she pushed the curtains back I
lifted myself on an elbow.
It was into a real theatre that I looked. She had transformed the whole
level of the bed into a miniature stage, with buildings of cardboard,
cleverly painted, and gardens cut out of silk and velvet and laid down,
and rose-trees gummed on little sticks, and a fish-pond and brook of
looking-glass, with embroidered flowers stuck along their edges, and
along the paths (of real sand) a score of little dolls walking, all
dressed in the uniform of the Grey Nuns. I declare it was so real, you
could almost hear the fountain playing, with its _jet d'eau_ of
transparent beads strung on an invisible wire.
"But how pretty, mademoiselle!" I cried.
She clasped her hands nervously. "But is it _like_, Yann? It is so
long ago that I may have forgotten. Tell me if it is like; or if there
is anything wrong. I promise not to be offended."
"It is exactly like, mademoiselle."
"See, here is the Mother Superior; and this is Soeur Gabrielle. I have
to make the dresses full and stiff, or they wouldn't stand up.
And that, with the blue eyes, is Soeur Hyacinthe. She walks with me--
this is I--as she always did. And what do you think? With the fifteen
dolls that you have brought I am going to have a real Pardon, and
townspeople and fisher people to stand and worship at the altar of the
Virgin, there in the corner. I made it of wax, and stamped the face
with a seal that Charles gave me. He was to have been my husband when I
left the school."
"Indeed, mademoiselle?"
"Yes, but the soldiers burnt his house. It was but a week after I left
the school, and the Chateau Sant-Ervoan lay but a mile from my mother's
house. He fled to us, wounded; and we carried him to the coast--there
was a price on his head, and we, too, had to flee--and escaped over to
England. He died on this bed, Yann. Look--"
She lifted a candle, and there on the bed's ledge I read, in gilt
lettering, some words I have never forgotten, though it was not until
years after that I got a priest to explain them to me. They were
"C. DE. R. COMES ET ECSUL. MDCCXCIII."
While I stared, she set the candle down again and gently drew the
curtains round the bed.
Public-domain text, read in full here on John Shaqi.
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