Old friends and new fancies : $b an imaginary sequel to the novels of Jane AustenBrinton, Sybil G. (Sybil Grace)
General
Old friends and new fancies : $b an imaginary sequel to the novels of Jane Austen
Brinton, Sybil G. (Sybil Grace)
Courtship -- Fiction; England -- Social life and customs -- 18th century -- Fiction; Mate selection -- Fiction
The promised walk did not take place, for the snow, which had been
threatening, fell the following day, not thickly, but with enough of fog
and dampness in the atmosphere to make the fireside seem by far the most
agreeable place. The gentlemen shot in the first part of the morning,
but returned home soon after one, ready for any entertainment that they
might be expected to provide or be provided with; and Tom Bertram's
inclinations, as usual, were in favour of the former. Not being a
card-player, or enthusiast for music, and having found Mr. Bingley to be
at billiards an adversary unworthy of his skill, he was obliged to seek
some other method of spending a winter's afternoon, and without
hesitation he broached to the assembled party his idea that they should
act some charades.
Mrs. Bingley looked doubtful, and William Price gave his cousin no
support; but the notion was warmly taken up by Bingley, his sister and
sister-in-law, and Mr. Bertram set himself to persuade Mrs. Bingley
that, next to a real play, charades were the most delightful things
imaginable, and that they had a party collected about them remarkably
well qualified to undertake any and every kind of character.
His hostess proved not difficult to persuade when she perceived what
pleasurable anticipations were aroused by the suggestion; and only
needed to be assured by her husband that it was a capital notion, and
the young people would thoroughly enjoy it, to promise help of whatever
kind was needed. William Price was ready to enter into it, when it
became evident that it was the general wish; and even Georgiana began to
be interested, and concealed her nervousness at the idea of taking part.
"You need not be frightened, Georgiana," said Miss Bingley; "all you
will be required to do is to stand perfectly still and assume a
particular expression. Louisa and I have often taken part in them; there
is no acting, it is all the pose."
"Excuse me, Miss Bingley," interposed Mr. Bertram, "the kind of charades
I propose we should do involves a certain amount of movement--acting,
in short; and others require impromptu speeches. I recollect once, at
the house of my friend--"
"I am sure you are mistaken, Mr. Bertram; the correct charade is not
acting at all; it is simply a series of pictures, or tableaux, to
represent the various syllables."
The discussion threatened to become keen, especially when the two
younger girls joined in protesting that they could not possibly recite
any impromptu speeches; but Bingley finally settled the point by
agreeing with Mr. Bertram's vehement assertion that it would be much
more amusing if they acted their parts, and that he could show them how
to do it in such a way that no speaking would be necessary, though Miss
Bingley doubted if _all_ the company would be equal to such a demand
upon their capabilities.
Public-domain text, read in full here on John Shaqi.
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