Old friends and new fancies : $b an imaginary sequel to the novels of Jane AustenBrinton, Sybil G. (Sybil Grace)
General
Old friends and new fancies : $b an imaginary sequel to the novels of Jane Austen
Brinton, Sybil G. (Sybil Grace)
Courtship -- Fiction; England -- Social life and customs -- 18th century -- Fiction; Mate selection -- Fiction
This suggestion was enthusiastically received, as it met all
difficulties, and Kitty forgot to reprove Georgiana for hurrying her
away, in the contemplation of the news with which they would return
home, and the delightful bustle of preparation that would ensue. Jane
and Bingley had not quite the same views, and they spoke privately to
Georgiana before she left, asking her to take a message begging
Elizabeth and Darcy not to put themselves to any trouble about the
arrangements for the stage, which need only be of the very simplest
nature, a sufficiency screen and lamps being all that would be asked
for.
The rehearsal proceeded in admirable style. Mr. Bertram had constituted
himself stage-manager, and gave everyone minute instructions as to their
movements and attitudes, shouted directions from the midst of an
imaginary audience, and hastened at the last moment to take his place in
the scenes where he was required to be actor as well. With some
assistance from Mr. Bingley, he had allotted the various parts, and as
he was so fortunate as to be able to regard all four ladies from an
absolutely impartial standpoint, his judgments were, on the whole,
tolerably good; although the usual difficulties of such an occasion
arose, and had to be smoothed away, as, for instance, when Mrs. Bingley
positively declined to play a part which required any acting, although
she was the only person who looked the Queen to perfection; or when Miss
Darcy wanted to give up an important part to Miss Bennet, whom it did
not suit at all, simply because the latter was anxious to wear the dress
that went with it; or when Miss Bingley desired to represent both Lady
Macbeth and Joan of Arc, and could not be made to understand that she
could take only one, on account of the necessity for passing quickly
from one scene to another. All, however, was amicably arranged before
the evening ended, and when the others went to bed, Tom Bertram sat up,
desperately writing lists of the properties and accessories which he
deemed necessary to the performance.
Chapter XVII
Public-domain text, read in full here on John Shaqi.
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