Old friends and new fancies : $b an imaginary sequel to the novels of Jane AustenBrinton, Sybil G. (Sybil Grace)
General
Old friends and new fancies : $b an imaginary sequel to the novels of Jane Austen
Brinton, Sybil G. (Sybil Grace)
Courtship -- Fiction; England -- Social life and customs -- 18th century -- Fiction; Mate selection -- Fiction
Chapter XVIII
All went well; the dinner came to an end; the actors retired to dress,
and the six members of the audience disposed themselves in armchairs in
front of the curtain, and prepared to be mystified. The performance
commenced after no longer delay than is usual on occasions of this kind,
and opened with a duel scene, in which Bingley and Tom Bertram aimed
pistols at one another in a most realistic manner, but failed to kill
each other, owing to one weapon missing fire, and the ball of the other
not penetrating a vital part. Two of the ladies rushed in and made
demonstrations of relief at finding the wounded hero able to walk off
the field. The next scene represented a card-room, with a party of
players, and Bingley as the inveterate gambler staking higher and
higher, until all was lost on turning up of a fatal four of hearts. Next
was seen William Price as Richard I, in prison, aroused from despair at
the sound of Blondel's harp, and the vision at the barred window of the
minstrel, impersonated by Miss Bingley, cloaked and hooded and playing
on a zither. The whole word gave a fine opportunity to Tom Bertram to
exhibit his comedy powers in the part of a gentleman whose pocket is
picked of a purse of money, his lamentations to his family, his efforts
to recover it, and the final restoration of the purse, by then totally
empty.
Much laughter and applause followed this conclusion, and though the word
"misfortune" was presently discovered by the audience without any
further help, they were delighted with the spirited and vigorous quality
of the acting, which had conveyed so much to them in dumb show, not a
word being spoken on the stage. Darcy's only adverse criticism was that
so far there had not been enough for the ladies to do; but this defect
was remedied in the next word, which consisted of only three scenes. In
the first, Miss Bingley made a very tolerable Lady Macbeth, striving to
cleanse her hands of blood while she walks in her sleep, and is observed
by her gentlewoman and doctor; the second showed Joan of Arc, in the
person of Kitty, led to the stake, while the others grouped themselves
round and endeavoured to look as numerous as possible, in the parts of
the judges, soldiers and executioners. Poor Kitty's slight figure, and
insignificant presence, made it difficult for the character to be well
realized in her; and Mr. Bertram's frown as he looked at her was not an
assumed one, for he had originally cast Miss Darcy for the part, and had
expostulated vehemently when she had insisted on yielding to the
broadly-hinted-at wishes of her friend. Finally, Mrs. Bingley, as
Cleopatra, looked exceedingly handsome in a robe as Egyptian as it could
be made on short notice, and received the asp from a basket held by
Georgiana, while Miss Bingley represented her other "handmaid."
Public-domain text, read in full here on John Shaqi.
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