“I shall prepare whilst you make your visits. Will you take my carriage? You know there is one from the royal stables always at my service, which stands at the door.” “Beware! they would shriek if I should drive to their doors in a royal carriage. They would accuse me of throwing aside the poet, and being only secretary of legation. I will go on foot; it amuses me to push my way through the crowd, and listen to the Berlin jargon.” CHAPTER XVII. GOETHE’S VISITS. Taking leave of his ducal friend, Goethe betook himself the street, to commence his visits. Going first to Chodowiecki, the renowned delineator and engraver, whose fame had already spread throughout Germany. When Goethe entered, the artist was busy in his atelier, working upon the figures of the characters in the “Mimic,” the latest work of Professor Engel. “Master,” said he, smilingly, extending him his hand, “I have come to thank you for many beautiful, happy hours which I owe to you. You paint with the chisel and poetize with the brush. An artist by God’s grace.” “If the poet Goethe says that, there must be something in it,” replied Chodowiecki, with a radiant face. “I have to thank you for the most beautiful and best hours of my life, and I am proud and delighted to have been able in the least to return the pleasure. The only blissful tears among many bitter ones that I have wept, were shed over the ‘Sorrows of Werther.’ ‘Gotz von Berlichingen’ so inspired me that he appeared to me in my dreams, and left me no peace until I rose in the night to draw Gotz, as he sat talking with brother Martin on the bench in the forest. Wait, I will show you the drawing; you must see it.” Goethe examined it attentively, and expressed his pleasure at the correctness and dramatical conception of the design, and did not remark, or perhaps would not, that the artist was busily occupied with crayon and paper. “How wonderfully you have reproduced my ‘German Knight,’” cried Goethe, after a long observation of it. “The middle ages entire, proud and full of strength, are mirrored in this figure, and if I had not written ‘Gotz von Berlichingen,’ I would have been inspired to it, perhaps, from this drawing. Oh! you artists are to be envied. We need many thousand words to express what a few lines represent, and a stroke suffices to change a smiling face into a weeping one. How feeble is language, and how mighty the pencil! I wish I had the talent to be a painter!” “And I,” cried Chodowiecki, “would throw all my pencils, brushes, and chisels to the devil, or sell him my soul, if I could cope with the genius and intellect of the poet, Wolfgang Goethe. What a man! What a profile the gods have given him! There! look--have you ever seen a man with such a face?” He handed Goethe the drawing, which proved to be a speaking profile-portrait of himself, dashed off with a few strokes full of genius.