“No,” said Chodowiecki, earnestly, “I will not give it to you. Such a portrait is not made to be put in a dusty portfolio, or framed for the boudoir of your lady-love. All Germany, all the world should enjoy it, and centuries later the German women will still see Wolfgang Goethe as he looked in his twenty-ninth year, and hang an engraving on the wall in their parlor, and sighing and palpitating acknowledge--‘There never was but one such godlike youth, and there never will be another. I wish that I had known him; I wish he had loved me!’ So will they speak centuries later, for I will perpetuate this drawing in a steel engraving of my most beautiful artistic work.” [Footnote: This engraving from the artist Chodowiecki still exists, and the author of this work possesses a beautiful copy, which Ottille von Goethe sent her. It is a bust in profile, the most beautiful of his youth.] “You are a splendid fellow, and I must embrace you, and rejoice to be immortalized by you, for this portrait pleases me exceedingly. I might well be proud that this head with the rare profile is a counterpart of my own. Now we are good friends. Before I say farewell, let me see the work at which I just disturbed you upon entering.” Goethe was about to raise the cloth, when Chodowiecki waved him back. “Do not look at it,” said he, quickly; “I dislike to appear as a mechanic before you, as I wish that you should honor only the artist. We poor toilers are badly off, as the old proverb is ever proving true with us, ‘Art goes for bread.’ We must be mechanics the chief part of our lives, in order to have a few hours free, in which we are allowed to be artists. I have to illustrate the most miserable works with my engravings, to buy the time to pursue works of art.” “That is the interest, friend, which you pay the world for the great capital which the gods confided to you. Believe me, the artist Chodowiecki would have but a morsel to eat if the mechanic Chodowiecki did not serve him a tempting meal, paying the bill. Do not be vexed about it; man must have a trade to support him, as art is never remunerated. [Footnote: Goethe’s words--See G. H. Lewes’s “Goethe’s Life and Writings,” vol. 1., p. 459.] I hope the mechanic will be well paid, that the artist may create beautiful and rare works for us. This is my farewell visit to-day, friend. If you will hear a welcome from me very soon, come to Weimar, and see how one honors the artists there, and how well appreciated Chodowiecki is.” Goethe embraced and kissed the artist, who regarded him, his face radiant with joy, and would not be prevented from accompanying him to the house door, as if he were a prince or a king. “Now to Madame Karschin,” said Goethe to himself, as he hastened through the streets in that direction. “The good woman has welcomed me with so many pretty verses that I must make my acknowledgments, in spite of my decision to keep the Berlin authors at a distance.”