“No! only a good word, and a friendly shake of the hand, for I possess a poem and a letter which the good Frau Karschin sent me at Weimar some six months since, written by herself.” “Is it Goethe?” she cried, clasping her hands in astonishment. “The poet Johann Wolfgang Goethe, the renowned author of the work which--” “Cost you many tears,” broke in Goethe, laughing. “I beg you spare me these phrases, which follow me upon my journey as the Furies Orestes. I know that ‘Werther’ has become the favorite of the reading public; he has opened all the tear-ducts and made all lovers of moonlight as soft as a swaddling-cloth. I could punish myself for having written ‘Werther.’” Frau Karschin laughed aloud. “That is glorious! You please me! You are a famous poet and a genius, for only geniuses can revise and ridicule themselves. Welcome, Germany’s greatest poet, welcome to the attic of the poetess! There is the good word which you would have, and here is the hand. Did you think it worth while to visit poor Karschin? I am rejoiced at it, for I see that they accused you unjustly of arrogance and pride!” “Do they accuse me of it?” asked Goethe, smiling. “Can the Berlin poets and authors never forgive me that I live at a court, and am honored with the favor of a prince?” “They would willingly forgive you if they had the power to push you one side, and take your place. They are angry with you, because they envy you and are not accustomed to be esteemed. Our prince and ruler, as great a hero and king as he otherwise is, cares little for German poetry, and for all he would care, the Berlin authors might starve, one and all; he would trouble himself no more about them than the flies dancing in the sunlight.” “The great king is still the same, then? He will never know anything of German literature?” “No! he declares that it is the language of barbarians and bear-catchers; scolds about us, and despises us, and yet knows as little of us as the man in the moon. He adores his Voltaire. Old Fritz knows the French poet by heart, but Lessing he knows nothing of. He abuses ‘Goetz von Berlichingen,’ and ‘Werther’s Sorrows.’” “Oh! I know it all--I know the king’s adjutant-general, von Siedlitz. I often dine with him, and read aloud my poems to him, when he relates to me what the king says to enrage me. You must know when I am angry I speak in verse. I accustomed myself to it during my unhappy marriage with the tailor Karsch. When he scolded, I answered in verse, and tried to turn my thoughts to other things, and to make the most difficult rhymes. As he was always scolding and quarrelling, I always spoke in rhyme.” “And in this way you led a very poetical marriage?” smiled Goethe. “Yes, indeed, poetical,” she said, and her large brilliant eyes were dimmed. “If it is true that tears are the baptism of poets, then I was baptized daily for twelve years, and ought to be an extraordinary poetess.”