Glassware -- Collectors and collecting; Glassware -- Great Britain; Glassware -- Prices
A friend of mine boasted some years ago that he had never made a bad
mistake in judging glass, because he had “kept his eyes open,” and
invariably asked some one who “knew” to accompany him whenever he
thought he had discovered a piece worthy of being added to his
collection; but, alas! during a summer holiday spent among the Irish
lakes he fell a victim. The lady who was the vendor had evidently kissed
the Blarney stone, and as she was moving and the matter was urgent, a
price--a tall one--was fixed on the spot, and my friend became the
possessor of a remarkably fine collection which expert examination
proved to be entirely of Dutch extraction. And the moral! Well, had he
in the beginning relied upon his own judgment he would have made
mistakes, but he would, at the same time, have acquired first-hand
knowledge and have escaped a serious disaster.
One often finds replicas of old glass moulded; and as moulded glass was,
of course, the earliest kind, the pieces seem to acquire a spurious
value. Moulded glass with its heavy, thick appearance and its rounded
edges lends itself easily to imitation. But the reproductions are often
made in common glass, which gives itself away to the touch. One need
hardly be an expert to detect common glass by its feel and texture.
It must not be assumed that the best method of forming a collection is
to pick up those pieces which appear to be cheap. Real old glass, like
other genuine antiques, is greatly sought after and commands a highly
respectable price. This question of price is really a considerable
factor to the amateur collector. His aim should be to get a complete
collection, however small, and his danger that of duplicating, simply
because he sees a specimen cheap. “Oh, I must have that; I gave nearly
twice as much for the one I have,” is a sentiment often heard. But the
collector must eliminate duplicates unless he aims at completing a set,
say a dozen of wine glasses or finger basins. The ultimate fate of
duplicates is to be “weeded out” often at a price far below what they
cost.
I remember a case in point in which a novice found himself, after a
brief experience, the owner of so large a collection that his cupboards
failed to accommodate it, and he had to have larger ones made. And yet
one shelf alone contained four barley wine glasses, five ordinary
air-twisted stem glasses, three Early English plain wine glasses, four
early finger basins, and five rummers of different shapes--all of the
most ordinary type.
When by experience he had acquired wisdom these and similar articles
were sent to the sale-room. Two lots did not elicit a single bid, and
the remainder went for far less than had been paid for them. Now,
however, he possesses a good representative collection, which will be
sure to fetch, when under the hammer, a sum which will produce a
handsome return upon his expenditure.
Public-domain text, read in full here on John Shaqi.
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