He is unpractical, and even absurd, in his curious prudery about the
tales and legends which children are to learn. He objects to Homer,
to the tragedies, still more to the comedies, and, no doubt, to the
folk-lore of the day, as inculcating base and immoral views of the gods
and their relations to men. Fairy tales are always to represent God as
one and as perfectly good. He even goes so far--but here he can hardly
be in earnest--as to recommend that children shall learn by heart
his laws instead of poetry and myths![57] Throughout all his remarks
on this subject, he evidently ignores the culture of the imagination
as such, which we recognize as so important that we even tolerate or
overlook immoralities or manifest fictions in aiming at this kind of
amusement and culture of children. Indeed, it is certain that when
children are taught fairy tales _as such_, the immoral acts of real
life, such as robbery and murder, are only accessories to the imaginary
life, in which there is generally some rude justice.
Even apart from this particular question, we find all through Plato’s
theory of education a very mischievous dislike of any liberty of
opinion, or liberty of life, in the youth of his State. He goes so
far in the “Laws” as to make heresy of opinion penal, and to punish
with imprisonment those who will not conform to the doctrines of the
lawgiver. If there be anything which would tempt us to reject the
“Laws,” as not the genuine work of Socrates’ disciple, it is this
strange narrowness of view, which makes Grote argue that the actual
Athens of Plato’s day was superior to the ideal he constructed. But
doctrinaires of all ages hate human liberty. Nor do the Greeks ever
seem to have been forced by the pressure of circumstances to mark off
the close of formal education by a fixed period, like our graduation
at a university, when the young man is expected to strike out into the
world and henceforth educate himself in practical life.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account