At the back of the War Tepee was the figure of a person holding a pipe,
which was symbolic of the vision of the founder. On the left side of
the door was a circle enclosing four figures surrounded by many others,
to represent Running Rabbit as leader with three companions, standing
in a pit and holding back a number of enemies. A series of crossed
lines, representing picket stakes to which horses were tied, recorded
the capture of a number of horses. There was one symbol for the number
of times Running Rabbit was leader of war expeditions, and another for
his being detailed as scout. The sign for scout was a curved line to
represent the waiting warriors; and a zigzag line going off, to show
his irregular course while scouting, in order to hide the position of
his followers from the enemy.
Other brave deeds recorded were the cutting loose of a horse picketed
close to the lodge of a Gros Ventre Indian and a dog barking; the enemy
pursuing and their narrow escape; the seizing of a gun from the hand of
an enemy; also the taking of a war bonnet, a lance, and a shield; there
was the picture of a brave warrior who saved the lives of two wounded
comrades, carrying one on his own horse and leading the horse with the
other; their wounds were marked by dashes of red for blood; another
picture showed Running Rabbit taking part in the making of a treaty
with the white men.
In these pictures, the travois mark was used to indicate the direction
taken by a war party; stops by day and traveling by night were marked
by different colors—yellow for day and black for night. Mountains were
marked, also lakes, streams, and rivers; a long crooked line ending in
a fork represented a river; a red mark in the bend of this river showed
where a fight took place with a war party of Crow Indians.
CHAPTER XXXVIII
A NATIVE DOCTOR AND HIS PATIENT
One evening I crossed the meadow and climbed the ridge on the north
side of the plain to the big rock, which commanded a broad view of the
circle camp, the billowy hills stretching away to the horizon, north,
south, east, and in the west the snowy peaks of the Rocky Mountains.
The sun was setting and the birds were calling. High over the mountains
the sky was like a golden sea with many tints, broken into bays and
inlets by cloud promontories, in purple and somber red.
The lodges of the big camp were a ghostly white in the fading twilight;
and soon became illuminated by bright inside fires, until the camp
looked like an enormous group of colored Japanese lanterns, the
flickering lights of many outside fires resembling fireflies in a
summer’s dusk.
From my lofty seat on the hill, I heard the clear notes of a young
brave singing a love song to his sweetheart, asking her to come forth
to meet him. He waited in a meadow just outside the camp, until she
came with her water pails; and they went together to the stream—the
common meeting place for Indian lovers.
Public-domain text, read in full here on John Shaqi.
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