The band that was first in line started to sing the tribal hymn,
“Raising the Sun Pole”; it was quickly taken up by other bands as they
formed into line. The Indians believed this song was given by the Sun
through Scarface, the founder of the Sun Dance. It was sung as a prayer
by all the people for the safe raising of the center pole.
In the meantime, White Calf and Mad Wolf walked slowly to the prostrate
pole and stood upon its trunk, while their wives took positions by its
forks. Then the four lines of warriors, holding aloft their poles,
advanced by four stages. During the pauses, they waited to sing the
hymn to the pole, each band singing in unison regardless of the other
bands, in different intervals of time and pitch; and, as the notes of
the melody all belonged to one chord, the different groups combined
harmoniously in a sort of grand fugal effect, the deep and resonant
voices of the warriors booming and sliding up to the last notes of the
song. Finally, the four lines met in a large circle round the sun
lodge, and stood while all the people, men, women and children joined
in singing the tribal hymn.
Then the head-chief called in a loud voice to raise the pole. Mad Wolf
blew his medicine whistle; he threw off his black-colored robe and
jumped from the pole. With shouts and war-whoops, the circle of
warriors ran towards the unfinished lodge, followed by the throng of
Indians. The pole was quickly raised with ropes; and the warriors with
lodge-poles lifted the rafters into place, tying them to the frame with
rawhide thongs, and placed green cottonwood branches against the sides.
Thus the dancing-lodge was finished and made ready for the tribe. There
the people assembled during the remaining days of the circle camp, to
hear tales of war by prominent chiefs, to witness the rites of the
Weather Dancers and the dances and ceremonies of the men’s societies.
CHAPTER XLIV
END OF THE SUN DANCE AND FAREWELL OF MY INDIAN FATHER
Next day Elk Horn rode through the camp and summoned every one to the
dancing-lodge. The first to go were the three Weather Dancers, the
medicine men, Spotted Eagle, Bull Child, and Medicine Bull. When the
sun was high they appeared, coming from their tepees in different parts
of the camp, wearing their medicine charms and with faces and bodies
painted.
The Indians looked to the Weather Dancers to drive away all storms;
during the time of the dancing-lodge, they were expected to keep the
weather clear. Through their medicine charms, incantations, and dances,
they were believed to have power over nature.
Public-domain text, read in full here on John Shaqi.
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