Old Mole: Being the Surprising Adventures in England of Herbert Jocelyn Beenham, M.A., Sometime Sixth-Form Master at Thrigsby Grammar School in the County of LancasterCannan, Gilbert
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Old Mole: Being the Surprising Adventures in England of Herbert Jocelyn Beenham, M.A., Sometime Sixth-Form Master at Thrigsby Grammar School in the County of Lancaster
Cannan, Gilbert
England -- Fiction; Husband and wife -- Fiction; Man-woman relationships -- Fiction; Theater -- Fiction
He turned wearily from its staleness, and told himself, after long
pondering of the problem, that he had been mistaken, that he had been
foolishly, and a little arrogantly, seeking in life the imaginative
force, the mastery of ideas and human thoughts and feelings that he
had found in literature. Life, maybe, proceeds through eruption and
epidemic; art through human understanding and sympathy and will. . . .
That pleased him as a definite result, but at once he was offended by
the separation, yet, amid so much confusion, it was difficult to
resist the appeal of so clean and sharp a conception. It lost the
clarity of its outline when he set it against his earlier idea of
living brimming over into life. . . . There were then three things,
living, life and art, a Trinity, three lakes fed by the same river.
That was large and poetic, but surely inaccurate. For, in that order,
the lakes must be fed by a strange river that flowed upward. . . .
Anyhow, it was something to have established the three things which
could comprise everything that had penetrated his own consciousness,
three things which were of the same essence, expressions of the same
force. Within the action and interaction there seemed to be room for
everything, even for Sir Henry Butcher, even for Tyler Harbottle, M.P.
He had arrived at the sort of indolent charity which, in the machine,
passes for wisdom and sanity, the unimaginative tolerance which furs
and clogs all the workings of a man's mind and heart. It is not far
removed from indifference. . . . In his weariness, the exhaustion and
satiety of the modern world, he measured his wisdom by the folly of
others, and in his satisfaction at the discrepancy found conceit and
thought it confidence. He began to write again and returned to his
projected essay on Woman, believing that he had in his idea
disentangled the species from Matilda. He was convinced that he had
risen above his love for her, to the immense profit of their
relationship, which had become more solid, settled and pleasurable. As
he had planned when they came to London, so it had happened. They had
gone their ways, seemed for a time to lose sight of each other, met
again, and were now--were they not?--journeying on apace along life's
highway, hailing the travelers by the road, aiding the weary, cracking
a joke and a yarn with those of good cheer, staying in pleasant inns.
"Something like a marriage!" thought he. "Life's fullest adventure."
And he measured his marriage against those of the men and women in the
machine; sour captivity for the most part, or a shallow, prattling and
ostentatious devotion.
His essay on Woman was only a self-satisfied description of his
marriage. Out of the writing of it came no profit except to his
vanity. Preoccupied with questions of style, he pruned and pared it
down, refashioned and remodeled it until at last he could not read it
himself. Having no convenient sands in which to bury it, he gave it to
Panoukian to read.
Public-domain text, read in full here on John Shaqi.
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