Old Mole: Being the Surprising Adventures in England of Herbert Jocelyn Beenham, M.A., Sometime Sixth-Form Master at Thrigsby Grammar School in the County of LancasterCannan, Gilbert
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Old Mole: Being the Surprising Adventures in England of Herbert Jocelyn Beenham, M.A., Sometime Sixth-Form Master at Thrigsby Grammar School in the County of Lancaster
Cannan, Gilbert
England -- Fiction; Husband and wife -- Fiction; Man-woman relationships -- Fiction; Theater -- Fiction
Matilda had refused to go out with him. She came home very late from
the theater, and said she had been helping the knitting woman cut out
some clothes. He asked her if she had ever seen the crowds in the
pleasure city. She looked away from him, and with a sudden, almost
imperceptible, gesture of pain replied:
"Once."
He knew when that was, and with a tearing agony the old jealousy
rushed in upon him and with a brutality that horrified him, that was
whipped out of him, to the ruin of his self-control, he ground out:
"Yes. I know when that was."
Her hand went tugging up to her breast and she said with passionate
resentment:
"You ought never to say a thing like that to me."
His blood boiled into a fury and he turned on her, but she was gone.
He wrestled with himself, toiled and labored to regain his will, the
mastery of his thoughts and his feelings. The jealousy died away, but
no other emotion came to take its place. He regained his will, saw
clearly again, but was more possessed by his irony than before. He was
no longer its master, no longer drifting comfortably, but its slave,
whirled hither and thither at its caprice--and it was like a hot gusty
wind blowing in him before a storm. All the color of the world was
heavy and metallic, but it was painted color, a painted world. He was
detached from himself, from Matilda, and he and she passed into the
puppet show in the miserable liberty of the gaily painted dolls: free
only in being out of the crowd, sharing none of the crowd's energy,
having no part in any solidarity.
He made himself a bed on the hard horsehair sofa in their room and lay
hour by hour staring at the window panes, listening to the distant
thud and thunder of the sea, watching for the light to come to make
plain the window and show up the colors of the painted world.
In the morning they avoided each other, and she spent the day with the
knitting woman, he with Edwin Watts, and, when, at night, she returned
from the theater, he was asleep. It was the first time they had
strangled a day, and it lay cold and dark between them. He admitted
perfectly that he was at fault, but to say that he was sorry was a
mockery and an untruth. He was not sorry, for he felt nothing.
They bore the burden of their sullen acquiescence in silence into the
third day, and then she said:
"If you want me to go, I'll go."
"No! No! I'll go."
Silence had been torture, but speech was racking. They were at the
mercy of words, and there was an awful finality about the word _go_
which neither desired and yet neither could qualify. . . . Plainly she
had been weeping, but that exasperated him. She, at any rate, had
found an outlet, and he had discovered none. And all the time he was
haunted by the futility, the childishness of it all.
"Where will you go?" she asked.
"Does it matter?"
"I suppose not. But some one must look after you."
He muttered unintelligibly.
Was he--was he coming back? Of course he was. He would let her know.
Public-domain text, read in full here on John Shaqi.
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