A river-sea between two widely separated banks, so calm that it was like
a sea of oil bulging towards the centre from over-fullness; a big ship
upon an even keel, moving along with almost imperceptible progress, the
distant hazy banks gliding slowly past; the ease and relief of a long
voyage over, not only on every face, but on every line of cordage; a
bustle of happy people rushing up upon deck to see how near home they
were, and of other people below crowding, bustling over portmanteaux to
be packed, and all the paraphernalia of the voyage to be put away. It
was a very curious scene to Katherine’s eyes, not to speak of the
swarming dark figures everywhere--the Lascars, who were the crew, the
gliding ayhas in their white wrappings. She was led to the cabin in
which Stella, half-dressed, was standing in the midst of piles of
clothes and other belongings, all thrown about in a confusion which it
seemed impossible ever to reduce to order, with a box or two open and
ready to receive the mass which never could be got in. She was so busy
that she could not at first be got to understand that somebody from
shore had come for her. And even then, though she gave a little cry and
made a little plunge at Katherine, it was in the midst of a torrent of
directions, addressed sometimes in English, sometimes in Hindostanee, to
an English maid and a Hindoo woman who encumbered the small cabin with
their presence. A pink-and-white--yet more white than pink--baby lay
sprawling, half out of its garments, upon the red velvet steamboat
couch. Katherine stood confused, disappointed, longing to take her
sister to her heart, and longing to snatch up the little creature who
was so new and so strange an element, yet suddenly caught, stopped, set
down, in the exaltation of her love and eagerness by the deadly
commonplace of the scene. Stella cried, with almost a shriek:
“You, Katherine! Is it possible?” and gave her a hurried kiss; and then,
without drawing breath, called out to the women: “For goodness’ sake
take care what you’re doing. That’s my best lace. And put all the
muslins at the bottom--I sha’n’t want them here,” with a torrent of
other directions in a strange tongue to the white-robed ayah in the
background. Then--“Only wait,” Stella cried, “till I get a dress on. But
there is never anything ready when I want it. Give me that gown--any
gown--and look sharp, can’t you? I am never ready till half an hour
after everybody. I never can get a thing to put on.”
“Don’t mind for to-day, Stella; anything will do for to-day. I have so
much to tell you.”
Public-domain text, read in full here on John Shaqi.
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