Natural history -- Massachusetts; Natural history -- Outdoor books; Plymouth County (Mass.)
And so the Argonauts sail westward again in the pitch blackness of
the gathering storm. They know the harbor floor as they know the
floors of their homes and can as well feel their way. What if the
falling tide leaves the flats bare and they may not win to the
mooring, but must lie at anchor off the channel edge until morning
shows gray through the rain? They have won the golden fleece of
adventure from the blue sea to eastward and sailed home with it.
CHAPTER XIV
VOICES OF THE BROOKSIDE
For two hundred years the water has rippled over the sill on which
once firmly set the gate to the old milldam. Of the mill, save
this, no sliver of wood remains, and even the tradition of the
miller and his work is gone. We merely know that here stood one of
the grist mills of the early pioneers, a mill to which the
neighbors brought their corn in sacks, perchance upon their
shoulders, and after the wheel had turned and the grist was
ground, carried the meal off in the same way. Thus rapidly does
the smoothing hand of time wipe out man and his works.
But still the water ripples over the old, brown oak sill, and he
who listens may hear the brook telling a story all day long in
purling undertones. I fancy its language a simple one, too, but
its words of one syllable tumble so swiftly over one another that,
in spite of their liquid purity of tone, I never quite catch them.
It is the brook's rapidity of utterance that troubles me. I am
quite sure, always, that if I really got the syllables and wrote
them down I should, with study, be able to translate it all. It
ought not to be half so difficult as these hieroglyphic and
cuneiform inscriptions on stone and brick buried in Assyrian ruins
for ten thousand years, more or less, and now blithely put into
modern speech by the Egyptologists.
The brook writes for me, too. On every placid pool at the foot of
some race of ripples it mixes Morse-code dots and dashes with
stenographic curves, all written in white foam on the smooth black
mirror of the surface. Nor does it end there, so eager it is to
call its message to my notice. Through the quiver of sun and shade
it sends heliograph flashes to me on the bank, making again the
dots and dashes of the Morse-code alphabet, yet still with such
lightning-like rapidity that my dull eye fails to read. Only the
foam writing gives brief opportunity for one to study the
characters and decide what they mean: Sometimes there it is not
difficult to find words in the Morse-code and phrases in the
stenographic curves though I have no more than a word or a brief
phrase before the current rearranges the puzzle and I must begin
all over again. I doubt not many brookside idlers have done as
much as that. I fancy many a summer couple, say a brave telegraph
clerk and a fair stenographer, have worked out as much as "I love
you" and "God bless our home" long before this.
Public-domain text, read in full here on John Shaqi.
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