Old Portraits and Modern Sketches: Part 1 from Volume VI of The Works of John Greenleaf WhittierWhittier, John Greenleaf
History
Old Portraits and Modern Sketches: Part 1 from Volume VI of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
Biography
In the summer of 1835, a mob of excited citizens broke open the post-
office at Charleston, South Carolina, and burnt in the street such papers
and pamphlets as they judged to be "incendiary;" in other words, such as
advocated the application of the democratic principle to the condition of
the slaves of the South. These papers were addressed, not to the slave,
but to the master. They contained nothing which had not been said and
written by Southern men themselves, the Pinkneys, Jeffersons, Henrys, and
Martins, of Maryland and Virginia. The example set at Charleston did not
lack imitators. Every petty postmaster south of Mason and Dixon's line
became ex officio a censor of the press. The Postmaster-General, writing
to his subordinate at Charleston, after stating that the post-office
department had "no legal right to exclude newspapers from the mail, or
prohibit their carriage or delivery, on account of their character or
tendency, real or supposed," declared that he would, nevertheless, give
no aid, directly or indirectly, in circulating publications of an
incendiary or inflammatory character; and assured the perjured
functionary, who had violated his oath of office, that, while he could
not sanction, he would not condemn his conduct. Against this virtual
encouragement of a flagrant infringement of a constitutional right, this
licensing of thousands of petty government officials to sit in their mail
offices--to use the figure of Milton--cross-legged, like so many envious
Junos, in judgment upon the daily offspring of the press, taking counsel
of passion, prejudice, and popular excitement as to what was "incendiary"
or "inflammatory," the Evening Post spoke in tones of manly protest.
Public-domain text, read in full here on John Shaqi.
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