Old Rome: A Handbook to the Ruins of the City and the CampagnaBurn, Robert
History
Old Rome: A Handbook to the Ruins of the City and the Campagna
Burn, Robert
Rome (Italy) -- Antiquities; Rome (Italy) -- Description and travel
The Tempio della Tosse which probably obtains its name from a vulgar
interpretation of the name of the gens Tossia, is a ruin standing in a
vineyard at the side of the old road, called the Via Constantina, below
the Villa d’Este. It has none of the characteristic marks of an ancient
temple, and the large number of windows it contains forbid us to suppose
it to be a tomb. The interior of the building is round, the exterior
octagonal. It is built of layers of small fragments of tufa intermixed
with courses of bricks, materials which point to the fourth century as the
earliest possible date of its erection. On the walls are the remains of
frescoes of the Saviour and the Virgin, dating probably from the 13th
century. These show that, if it was not originally a Christian Church, it
was used as one at the time the frescoes were painted.
[Sidenote: Villa of Cassius.]
The ruins of a considerable villa lie near the Porta S. Croce of Tivoli,
in the estate called Carciano, from the mediæval name of the Fundus
Cassianus, which is stated in a list of the estates belonging to the
cathedral at Tivoli to have been the site of a villa of Caius Cassius.
Part of these ruins consist of a very ancient structure of polygonal work,
but the rest is pronounced by Nibby to belong to the time of the later
republic. The casino of the Collegio Greco is now built on the spot, but
the plan of the ancient villa can be so far traced as to show that it had
several terraces, and looked towards the south-west. In the 16th century
there were still eighteen large apartments existing, surrounded with a
portico of Doric columns, and also some temples, a theatre, some
fountains, and fish ponds. The opus reticulatum of these ruins is peculiar
for the alternate arrangement of coloured tufa in its lozenges. An immense
number of works of art were dug up here, and the nearly complete
destruction of what still remained of the villa in the 16th century, is
probably due to the fact of its having been found to be so rich a mine of
sculpture.
[Sidenote: Sabine Farm of Horace.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account