Old Rome: A Handbook to the Ruins of the City and the CampagnaBurn, Robert
History
Old Rome: A Handbook to the Ruins of the City and the Campagna
Burn, Robert
Rome (Italy) -- Antiquities; Rome (Italy) -- Description and travel
There can be no doubt that these Thermæ, which were of great extent,
reached nearly across the Quirinal Hill, occupying the sites of the
present Palazzo Rospigliosi, part of the Colonna Gardens and the Quirinal
Palace. Three statues were found in the ruins, representing Constantine
and two of his sons. These are supposed to have stood near the grand
entrance of the Thermæ. The first is now in the Portico of the Lateran
Basilica, the two others were placed by Paul III. on the balustrade of the
Piazza Capitolina. The famous pair of the Dioscuri and their horses, which
now ornament the Piazza di Monte Cavallo, were also discovered on this
site. The history of these well-known sculptures cannot be traced farther
back than the time of Constantine, whose Thermæ they adorned. The old
tradition which states that they were a present from Tiridates to Nero is
in some degree supported by the mention of the equi Tiridatis in the
Notitia, but is not confirmed by any other evidence. That they are not
rightly supposed to represent the Dioscuri can hardly be doubted, and the
inscriptions which ascribe them to the chisels of Phidias and Praxiteles
respectively are erroneous. For not to mention that the exact reproduction
of nature in its highest type of symmetry, peculiar to the style of the
highest Greek art is absent, and that we find instead the conventional
mode of representation characteristic of the revival of art under the
emperors, it seems hardly possible that Praxiteles, who lived more than
half a century after Phidias, should have occupied himself in imitating
and completing a group begun by his predecessor.
These colossal figures and the statues of Constantine mentioned above,
probably stood in the grand court of the Thermæ. There are now no traces
left of the outer enclosure of this court, but the plan of the central
blocks of buildings has been preserved by Palladio, in whose time there
was doubtless a sufficient portion left to enable him to reconstruct the
whole. It is somewhat different from the plan of most of the other Thermæ,
having a large semicircular court on one side surrounded with arcades, the
purpose of which has not been discovered. The other halls and apartments
are of the usual size and shape, with the exception of the exedræ, which
are rectangular. At one side of the enclosing court, apparently the north
side, there was a large theatre similar to that at the baths of Titus.
Public-domain text, read in full here on John Shaqi.
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