Old-Time Gardens, Newly Set ForthEarle, Alice Morse
History
Old-Time Gardens, Newly Set Forth
Earle, Alice Morse
Gardens; Landscape gardening
No following can be more productive of a study and love of word
derivations and allied word meanings than gardening. An interest in
flowers and in our English tongue go hand in hand. The old mediaeval word
at the head of this chapter has a full explanation by Nares as "A
nosegay, a tuzzie-muzzie, a sweet posie." The old English form,
_tussy-mose_ was allied with _tosty_, a bouquet, _tuss_ and _tusk_, a
wisp, as of hay, _tussock_, and _tutty_, a nosegay. Thomas Campion
wrote:--
"Joan can call by name her cows,
And deck her windows with green boughs;
She can wreathes and tuttyes make,
And trim with plums a bridal cake."
Tussy-mussy was not a colloquial word; it was found in serious, even in
religious, text. A tussy-mussy was the most beloved of nosegays, and was
often made of flowers mingled with sweet-scented leaves.
My favorite tussy-mussy, if made of flowers, would be of Wood Violet,
Cabbage Rose, and Clove Pink. These are all beautiful flowers, but many
of our most delightful fragrances do not come from flowers of gay dress;
even these three are not showy flowers; flowers of bold color and growth
are not apt to be sweet-scented; and all flower perfumes of great
distinction, all that are unique, are from blossoms of modest color and
bearing. The Calycanthus, called Virginia Allspice, Sweet Shrub, or
Strawberry bush, has what I term a perfume of distinction, and its
flowers are neither fine in shape, color, nor quality.
I have often tried to define to myself the scent of the Calycanthus
blooms; they have an aromatic fragrance somewhat like the ripest
Pineapples of the tropics, but still richer; how I love to carry them in
my hand, crushed and warm, occasionally holding them tight over my mouth
and nose to fill myself with their perfume. The leaves have a similar,
but somewhat varied and sharper, scent, and the woody stems another; the
latter I like to nibble. This flower has an element of mystery in
it--that indescribable quality felt by children, and remembered by
prosaic grown folk. Perhaps its curious dark reddish brown tint may have
added part of the queerness, since the "Mourning Bride," similar in
color, has a like mysterious association. I cannot explain these
qualities to any one not a garden-bred child; and as given in the
chapter entitled The Mystery of Flowers, they will appear to many,
fanciful and unreal--but I have a fraternity who will understand, and
who will know that it was this same undefinable quality that made a
branch of Strawberry bush, or a handful of its stemless blooms, a gift
significant of interest and intimacy; we would not willingly give
Calycanthus blossoms to a child we did not like, or to a stranger.
[Illustration: Hawthorn Arch at Holly House, Peace Dale, Rhode Island.
Home of Rowland G. Hazard, Esq.]
Public-domain text, read in full here on John Shaqi.
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