Old-Time Gardens, Newly Set ForthEarle, Alice Morse
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Old-Time Gardens, Newly Set Forth
Earle, Alice Morse
Gardens; Landscape gardening
The hardy Colchicum or Autumnal Crocus is seldom seen in our gardens;
nor do I care for its increase, even when planted in the grass. It bears
to me none of the delight which accompanies the spring Crocus, but seems
to be out of keeping with the autumnal season. Rising bare of leaves, it
has but a seminatural aspect, as if it had been stuck rootless in the
ground like the leafless, stemless blooms of a child's posy bed. Its
English name--Naked Boys--seems suited to it. The Colchicum is
associated in my mind with the Indian Pipe and similar growths; it is
curious, but it isn't pleasing. As the Indian Pipe could not be lured
within garden walls, I will not write of it here, save to say that no
one could ever see it growing in its shadowy home in the woods without
yielding to its air of mystery. It is the weirdest flower that grows, so
palpably ghastly that we feel almost a cheerful satisfaction in the
perfection of its performance and our own responsive thrill, just as we
do in a good ghost story.
[Illustration: Avenue of White Pines at Wellesley, Mass., the
Country-seat of Hollis H. Hunnewell, Esq.]
Many wild flowers which we have transplanted to our gardens are full of
magic and charm. In some, such as Thyme and Elder, these elements come
from English tradition. In other flowers the quality of mystery is
inherent. In childhood I absolutely abhorred Bloodroot; it seemed to me
a fearsome thing when first I picked it. I remember well my dismay, it
was so pure, so sleek, so innocent of face, yet bleeding at a touch,
like a murdered man in the Blood Ordeal.
Public-domain text, read in full here on John Shaqi.
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