Old Time Wall Papers: An Account of the Pictorial Papers on Our Forefathers' Walls with a Study of the Historical Development of Wall Paper Making and DecorationSanborn, Kate
History
Old Time Wall Papers: An Account of the Pictorial Papers on Our Forefathers' Walls with a Study of the Historical Development of Wall Paper Making and Decoration
Sanborn, Kate
Interior decoration -- History; Wallpaper
"Seldom has a house a more splendid history, or romantic origin, than
this relic of feudal splendor and colonial hospitality. The house is
approached from the lodge-gate through an avenue shaded by rows of
ancient trees. The entrance hall is thirty-three feet wide, and is
decorated with the identical paper brought from Holland at the time the
house was built, having the appearance of old fresco-painting."
The picture which follows this description is too small to be
satisfactorily studied without a magnifying glass, but the paper must be
impressive as a whole. Imposing pillars on the left, perhaps all that
remains of a grand castle; in front of them large blocks of stone with
sculptured men and horses; at the right of these a pensive, elegant
creature of the sterner sex gazing at a mammoth lion couchant on a
square pedestal. Beyond the lion, a picturesque pagoda on a high rock,
and five more human figures, evidently put in to add to the interest of
the foreground. This square is surrounded with a pretty wreath, bedecked
with flowers, birds and shells.
On either side of the hall were apartments some thirty feet wide; the
great drawing-rooms, the state bed-room and the spacious library, in
which the bookcases of highly polished wood occupied at least seventy
feet of wall-space. All of the ceilings are lofty, and fine old wood
carvings abounded on every side. Mr. William Bayard Van Rensselaer of
Albany still possesses the handsome paper taken from one of these rooms,
with four large scenes representing the seasons. The house was
demolished only a few years ago.
I notice that almost all these mansions had walls of wood, either plain
or paneled in broad or narrow panels, and simply painted with oil-paint
of pure white or a cream yellow; and a Southern gentleman, whose
ancestors lived in one of these historic homes, tells me that the
Southern matrons were great housekeepers, and these white wood walls
were thoroughly scrubbed at least three times yearly, from top to
bottom.
In Part II of the history of the Carters of Virginia, we read that the
duties of Robert Carter as councillor brought him to Williamsburg for a
part of the year, and in 1761 he moved, with his family, from "Nomini
Hall" to the little Virginia capital, where he lived for eleven years.
We know, from the invoices sent to London, how the Councillor's home in
the city was furnished. The first parlor was bright with crimson-colored
paper; the second had hangings ornamented by large green leaves on a
white ground; and the third, the best parlor, was decorated with a finer
grade of paper, the ground blue, with large yellow flowers. A mirror was
to be four feet by six and a half, "the glass to be in many pieces,
agreeable to the present fashion," and there were marble hearth-slabs,
wrought-brass sconces and glass globes for candles, Wilton carpets and
other luxuries. The mantels and wainscoting were especially fine.
Public-domain text, read in full here on John Shaqi.
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