Old Time Wall Papers: An Account of the Pictorial Papers on Our Forefathers' Walls with a Study of the Historical Development of Wall Paper Making and DecorationSanborn, Kate
History
Old Time Wall Papers: An Account of the Pictorial Papers on Our Forefathers' Walls with a Study of the Historical Development of Wall Paper Making and Decoration
Sanborn, Kate
Interior decoration -- History; Wallpaper
The paper on the hall of Martin Van Buren's home at Kinderhook, New
York, is said to have been interesting; but the present owners have
destroyed it, being much annoyed by sightseers.
In the reception room of the Manor House of Charles Carroll, of
Carrollton, Maryland, and in the state chamber, where Washington slept
(a frequent and welcome guest at Doughoregan Manor) were papers, both
with small floral patterns.
In New York and Albany paper-hanging was an important business by 1750
and the walls of the better houses were papered before the middle of the
century. But in the average house the walls were not papered in 1748. A
Swedish visitor says of the New York houses at that time, "The walls
were whitewashed within, and I did not anywhere see hangings, with which
the people in this country seem in general to be little acquainted. The
walls were quite covered with all sorts of drawings and pictures in
small frames."
V
NOTES FROM HERE AND THERE
[Illustration]
V
NOTES FROM HERE AND THERE
The wall-papers of a century ago did have distinct ideas and earnest
meaning; a decided theme, perhaps taken from mythology, as the story of
Cupid and Psyche, on one of the most artistic of the early panelled
papers, to print which we read that fifteen hundred blocks were used.
There were twelve panels, each one showing a scene from the experiences
of the "Soul Maiden."
You remember that Venus, in a fit of jealousy, ordered Cupid to inspire
Psyche with a love for the most contemptible of all men, but Cupid was
so stricken with her beauty that he himself fell in love with her. He
accordingly conveyed her to a charming spot and gave her a beautiful
palace where, unseen and unknown, he visited her every night, leaving
her as soon as the day began to dawn. Curiosity destroyed her happiness,
for her envious sisters made her believe that in the darkness of night
she was embracing some hideous monster. So once, when Cupid was asleep,
she drew near to him with a lamp and, to her amazement, beheld the most
handsome of the gods. In her excitement of joy and fear, a drop of hot
oil fell from her lamp upon his shoulder. This awoke Cupid, who censured
her for her distrust and escaped. Then came long tribulations and abuse
from Venus, until at last she became immortal, and was united to her
lover forever. As you know, Psyche represents the human soul, purified
by passions and misfortunes and thus prepared for the enjoyment of true
and pure happiness.
From this accident, Ella Fuller Maitland has drawn for us--
A SPECIAL PLEADER
"How I hate lamps," Bethia frowning cried,
(Our poverty electric light denied.)
And when to ask her reason I went on,
Promptly she answered thus my question:
"By lamplight was it that poor Psyche gazed
Upon her lover, and with joy amazed
Dropped from the horrid thing a little oil--
Costing herself, so, years of pain and toil:
Had she electric light within her room,
She might have seen Love, yet escaped her doom."
Public-domain text, read in full here on John Shaqi.
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