Another mythologic story is grandly depicted in a paper in the residence of Dr. John Lovett Morse, at Taunton, Mass. (Plates LXV to LXX.) This paper was described to me as illustrating the fifth book of Virgil's _Æneid_. When the handsome photographs came, we tried to verify them. But a reading of the entire _Æneid_ failed to identify any of them, except that the one shown in Plate LXIX might be intended to represent the Trojan women burning the ships of Æneas. Who were the two personages leaping from the cliff? Virgil did not mention them. A paper in _Country Life in America_ for April, 1905, describing the "Hermitage," Andrew Jackson's home near Nashville, Tennessee, spoke of the "unique" paper on the lower hall, depicting the adventures of Ulysses on the Island of Calypso. The illustration showed the same scenes that we had been hunting for in Virgil. The caption stated that it "was imported from Paris by Jackson. It pictures the story of Ulysses at the Island of Calypso. There are four scenes, and in the last Calypso's maidens burn the boat of Ulysses." So we turned to the _Odyssey_. There again we were disappointed. Nobody jumps off cliffs in the _Odyssey_, Ulysses' boat is not burned, neither does Cupid, who appeared in every photograph, figure in the scenes between Ulysses and Calypso. Next we took to the mythologies; and in one we found a reference to Fenelon's _Adventures of Telemachus_, which sends Telemachus and Mentor to Calypso's island in search of Ulysses, and describes their escape from the goddess's isles and wiles by leaping into the sea and swimming to a vessel anchored near. Here at last were our two cliff jumpers! And in long-forgotten _Telemachus_ was found every scene depicted on the walls. It is a strange commentary on the intellectual indolence of the average human mind, that these two remarkable sets of paper should so completely have lost their identity, and that the misnomers given them by some forgetful inhabitant should in each case have been accepted without question by those who came after him. Other owners of this paper have known what the scenes really were; for I have had "Telemachus paper" reported, from Kennebunk, Maine, and from the home of Mr. Henry DeWitt Freeland at Sutton, Massachusetts. The paper is evidently of French origin, and is mentioned as a Parisian novelty by one of Balzac's characters in _The Celibates_, the scene of which was laid about 1820. In the Freeland house at Sutton, there are also some scenes from Napoleon's campaign in Egypt. An inscription reads, "Le 20 mars, 1800, 100,000 Francais commandu par le brave Kleber ont vancu 200,000 Turcs, dans le plaines de l'Heliopili."